Showing posts with label Grower Champagne. Show all posts
Showing posts with label Grower Champagne. Show all posts

Tuesday, December 29, 2020

The finest artisanal grower-producers in the Champagne region (after Robert Walters)

Robert Walters "is a wine merchant, writer and vineyard owner with over 25 years of experience in the wine trade. His obsessive search for great grower wines has led him to work closely with many important producers in Europe, Australia and New Zealand as well as many of Champagne's finest artisans ..." In an article titled Alternative Champagne 2 (The World of Fine Wine, Issue 35, 2012), Walters described "Champagne de Terroir," as a wine which "maximizes the expression of the vineyard and removes the influence of the winemaker."  These Champagnes de Terroir were, according to Walters, "only produced successfully by a handful of the finest growers." I have summarized the methods of construction, the builders, and the characteristics of these Champagnes de Terroir in the chart below.


Walters has gone behind the curtains of his concept in a book titled Bursting Bubbles: A Secret History of Champagne and the Rise of the Great Growers. He takes two journeys in his book: (i) through the history of the Champagne region and (ii) a physical journey through the region to "... visit many of the finest of these 'grower producers' -- the artisans who are producing Champagne's most exciting and authentic  wines." I have covered each of these "finest" growers individually on this blog and will use this post to compare and contrast them across a number of relevant characteristics.

The figure, and immediately following table, show the population and geographic distribution of the growers identified as the "finest" by Walters.


Table 1: Regions and communes of the Great Growers
Producer
Sub-region
Growing Zone
Home Commune
Other Communes
Agrapart et Fils
Côte des Blancs
Côte des Blancs
Avize
Ogier, Cramant, Oiry
Anselme Selosse
do.
do.
Avize
Cramant, Le Mesnil, Aÿ, AmbonnayMareuil-sur- Aÿ
Larmandier-Bernier
do.
do.
Vertus
Cramant, Chouilly, Oger, Avize,
Ulysse Collin
do.
Val du Petit Morin, Côte de Sezanne
Congy

Jacques Lassaigne
do.
Montgueux
Montgueux

La Closerie (Jérôme Prévost)
Montaigne de Reims
Petite Montaigne
Gueux

Chartogne-Taillet
do.
Massif de St. Thierry
Merfy
Chenay, St. Thierry
Egly-Ouriet
do.
Grand Montaigne, Petite Montaigne
Ambonnay
Bouzy, Verzenay,Vrigny
Vouette et Sorbée (Bernard Gautherot)
Côte des Bar

Buxières-sur-Arce
Ville-sur-Arce
Roses de Jeanne (Cédric Bouchard)
do.

Celles-sur-Ource

Grand CruPremier Cru, Autre Cru.

Some points of note on the above data:
  • Vineyard sizes range between 1.5 and 12 hectares
  • Almost half of the producers have been influenced in one way or the other by Jacques Selosse
  • A majority of the producers had served a stint away from the estate before returning and taking up the reigns
  • Four of the 10 producers have access to Grand and/or Premier Cru vineyards.
In order to be officially classed as a grower-producer, the producer has to vinify and age estate-grown fruit. Use of non-estate fruit positions the producer to be classed as a negociant-producer; and two of our identified producers have crossed over into that territory:

(i) Jérôme Prévost came by way of his 2.2-ha vineyard -- Les Béguines -- as a result of his mother inheriting the property. According to Tyson Stelzer (Champagne Grower-producers: the beginning of the end, Decanter, 7/7/2018), while the 13,000-bottle annual production is well-regarded, and sells for respectable prices, "such a small production is insufficient to sustain his livelihood. In order to grow production by purchasing fruit, Prévost recently relinquished his récoltant-manipulant credentials to be reincarnated as a négociant-manipulant."

(ii) Jacques Laissagne's estate holding is a single 3.5-ha block in the Le Cotet vineyard. In an effort to tap into all of the terroir opportunities on Montgueux, Emmanuel supplements the estate fruit with grapes purchased from a few small growers. In order to ensure that the purchased product approaches the level of quality of his grapes, Emmanuel's requirements are as follows:
  • The source vineyard must be located in Montgueux
  • The source vineyard must have a south or southeast exposure
  • The source vineyard must rest on chalky soils
  • The vineyard must be managed by a good grower who works effectively in the vineyard
  • The fruit must issue from old vines (45 - 60 years old).
As a result of purchasing fruit, Jacques Lassaigne is classed as a négociant-manipulant.

Farming Practices
For the vast majority of Champagne's growers, it is easier, and more profitable, to sell grapes to the Houses than it is to make and sell their own wine (Tyson Stelzer, Champagne Grower-producers: the beginning of the end, Decanter, 7/7/2018). So the growers that do produce their own wines are not doing so to have things easy, or in pursuit of easy dollars. Rather, they are mission-oriented; and the mission is the production of wines that are reflective of the terroir within which they are produced.

Most of the producers practice some form of biodynamic, organic, or sustainable farming. Of the ones practicing biodynamic or organic farming, individual producers may or may not be certified. Jacques Lassaigne, for example, farms its vineyards organically, eschewing fertilizers, herbicides, and pesticides. The grass in the vineyard is cultivated between vines and rolled flat between rows. Ulysse Collin practices a mix of organic and conventional farming in order to provide the flexibility to intervene if the occasion warrants it. Vineyard practices include:
  • Ploughing ("To plough the soil encourages biological activities for oxygen, water, temperature and fungus" -- Olivier Collin)
  • Powdered sulfur to combat odium
  • Organic insecticides used against ver de la grappe (tiny caterpillar that eats the berries and causes gray rot)
  • Mildew is fought with chemical compounds
  • Organic compost is added to the soil as needed.
Bertrand Gautherot of Vouette et Sorbée Bertrand started out a grower and his passion has always been in the vineyards. He began farming biodynamically in 1998 and gained his certification in 2001. He feels that "biodynamics has encouraged the root structure of his vines to descend deeper into the ground rather than settling for nutrients near the surface" (Peter Liem, Champagne).

Fruit Quality
Growers and Houses in Champagne are not too concerned about the ripeness of the fruit as chaptalization and dosage are available as options to boost the sugar content of the wine. Further, if a yeasty character is the end goal, then fruit ripeness represents something that has to be mitigated. That is not the case for the grower-producers, however. Every one of the producers identified herein pursues ripeness of fruit (As a matter of fact, Tom Stevenson, noted Champagne critic, has accused Selosse of using over-ripe fruit in his wines).

According to Walters, the key to the Larmandier-Bernier wine is its ability to harvest fully ripe grapes. Walters sees this ability being driven by:
  • Biodynamic viticulture
  • Balanced yields
  • Minimal fertilizers
  • Precise pruning 
  • The nerve to wait.
According to Larmandier-Bernier, its recipe for high quality grapes is:
  • Old vines
  • Working the soil (The estate feels that ploughing promotes deep roots and facilitates healthy soils)
  • Moderate yields
  • No fertilizers
  • Mature grapes picked by hand.
Yields in the Roses de Jeanne vineyards are vanishingly small -- 26 hl/ha -- making it easier for the vines to produce ripe, high-quality wine grapes. With the low yields, Bouchard's wines easily attain 11% - 12% alcohol, unfamiliar territory (without chaptalization) for most other Champagne producers.

Pressing
Grapes are gently pressed in refrigerated (Egly-Ouriet), bladder (Larmandier-Bernier), or manual (Ulysse Collin) presses. In the case of Egly-Ouriet, the press is whole-cluster and only the first run juice is used. In the case of Ulysse Collin, the first and second issue from the press are pumped into vats and stored separately for 1 year after which they are blended. According to Olivier, the first press provides backbone and structure while the second adds strength and richness.

Fermentation
All producers use indigenous yeasts to ferment the grapes in a variety of vessels to include oak barrels (of various sizes and origin), stainless steel tanks, and concrete eggs. Plots are vinified and held separately.

Scalawine.com, in discussing fermentation at Egly-Ouriet, stated thusly:
Like many Burgundians, Francis (ed. of Egly-Ouriet) is convinced a big element of barrel fermentation and long (7 - 10 months) aging on the lees of the first fermentation is critical for expressing the terroir in the wine, giving less of a reductive "stainless steel" effect to the wine and, of course, allowing individual parcels to be captured and calculated into blending options much more precisely than if larger tanks were used. The small volume of wine in barrel gives less pressure over the lees than in a big tank, so better convective contact with the solids and enough infinitesimal exchange with air to avoid the sulfery reductive aromas that can be the bane of wines kept long on lees. A long time on the first lees allows a gentle flocculation of yeasts and settling out of the tiny colloidal solids in the wine. There is no battonage to avoid "fatness" in the wine and this long barrel regime for the vins clairs obviates any fining or filtration.
Aging
Malolactic fermentation and aging occur in stainless steel tanks or in oak; in some cases on the lees (6 - 36 months) and, in some cases, with lees-stirring. Prevost ages his wines in a mix of used barriques and demi-muids ranging in size between 400L and 600L. Unlike Jacques Selosse, for example, Cédric Bouchard does not use any oak in the aging of his wines. In his view, wood adds substances to the wine and, in so doing, detracts from the terroir effects. In addition, the use of oak promotes oxidation of the wine and he views oxidative notes in Champagne as a flaw (as does Tom Stevenson). All of the Bouchard wines are fermented and aged in stainless steel tanks

Additives
For the most part, the producers do not fine, filter, cold stabilize, add enzymes, or chaptalize their wines. Agrapart adds 50 mg/l of SO₂ at crush to combat oxidation while Prévost, Selosse, and Vouette et Sorbée own up to minimal amounts added.

Blending
Because of the small plot sizes in Champagne, a producer generally presses grapes from multiple villages and stores the resulting wines separately until blended. Bouchard and Prévost do not blend their wines. Rather, they seek to distill the essence of terroir through single-vineyard, single-variety, single-vintage wines.

In Agrapart's view, some components show as complete and then regress when blended with wines from another village. They notice no such regression when wines from similar geological environments are blended and this has led them to implement geological blends -- finished Champagnes that come from vineyards with similar geology (Walters). In Pascal's assessment, these similar-soil wines blend more "comfortably."

Peter Liem calls the Selosse blending process solera and describes it as being akin to the process used to make sherry in Jerez. Both White and Parker refer to the Selosse method as perpetual blending. According to Parker, the true solera method requires that each vintage (criadera) be kept separately with the oldest vintage being called the solera. Selosse, on the other hand, adds the new vintage to a common pool and then draws from that pool for the current season's wine.

A number of the producers hold back a portion of each year's wine as a reserve to be added to future vintages. Those future wines will then be comprised a blends of two or more vintages.

Liqueur de Tirage
Prévost adds 23 gm down from 24.5 gm prior to 2007. This new level has resulted in lower pressure, fewer bubbles, and lower alcohol. Bouchard is even lower at 20 gm (well below the norm of 24 gm). This reduced level of sugar yields gas pressure of 4.5 atmospheres (versus and average of 6) and "a gentle, disappearing mousse."

Lees Aging
Depending on the producer and the wine, lees aging can range between 1 and 10 years.

Dosage
Dosage is very low among the producers, ranging from zero across the entire line (Vouette et Sorbée) to a range that tops out at 7 g/l (Larmandier-Bernier and Agrapart). The entire line of the Prévost, Egly-Ouriet, and Ulysse Collin wines fall at or below 3 g/l dosage.

The table below captures selected critical perspectives of the Great-Grower wines.

Table 2: The wines of the "Finest" producers
PRODUCER
WINE
AGRAPART ET FILS
… pillowy textures from ripe Chardonnay … married to a racy, saline, mineral freshness … mouth-filling and relatively full-bodied wines, yet they are never heavy; rather, they are always refreshing, energetic and racy. They are without doubt some of the very finest wines being produced today in Champagne
JACQUES SELOSSE
"outstanding for their arresting tang and vinosity combined with what I can only call a gorgeous finesse of mousse ..." (Tom Hall, scalawine.com)
LARMANDIER-BERNIER
“… wines of great purity, monuments of restraint that are one more nod to the monastic" Peter Liem (Champagne
ULYSSE COLLIN
“… ripe, richly expressive single-vineyard wines
JACQUES LASSAIGNE
Les Vignes de Montgueux – a racy, salty, iodine noted wine, at once deliciously refreshing yet having good depth and some exotic notes.
Le Cotet – a racy, mineral, citrusy, complex wine (Walters)
LA CLOSERIE (JEROME PRÉVOST)
“Saline, savory undertones and sleek, tense build. Its energy and vibrancy is unlike any other Meunier in Champagne and his wine always needs several years after its release to reveal its depth and complexity of flavor” (Peter Liem)
CHARTOGNE-TAILLET
"… each distinct, complex and terroir-driven and yet they share a minerality and vinosity that can be attributed to Alexandre's hard work in the vineyard" (closcru.com)

EGLY-OURIET
Power, purity, intensity of fruit
VOUETTE ET SORBÉE (BERNARD GAUTHEROT)
“… uncompromisingly original, possessing deep, vinous aromas and assertive personalities. These are wines before they are Champagnes, and their intensity of character makes them more suitable for contemplative drinking or to accompanying food than to casual sipping” (Peter Liem)
ROSES DE JEANNE (CÉDRIC BOUCHARD)
“… some of the most spectacular wines being made anywhere in the world …” (Antonio Galloni)

 The shared objective of these producers is to craft wines reflective of the grape sources -- terroir wines -- and they accomplish that goal by harvesting ripe fruit and vinifying and aging them with the minimum of intervention. Ripe grapes result from a combination of the right soils, right exposition, and best farming practices.

For additional information on each of the individual estates, please click on the links below.

Agrapart et fils
Jacques Selosse
Larmandier-Bernier
Ulysse Collin
Jacques Lassaigne
La Closerie (Jérôme Prévost)
Chartogne-Taillet
Egly-Ouriet
Vouette et Sorbee (Bernard Gautherot)
Roses de Jeanne (Cédric Bouchard)




©Wine -- Mise en abyme

Wednesday, October 10, 2018

Rosés of the "finest" Champagne grower-producers

I am partial to Rosé Champagne, a love fueled in large part by many positive experiences with Jacques Selosse's product. Upon completion of my review of the "finest" Champagne grower-producers, I thought it would be fun to taste as many of their Rosés as I could lay my hands on in order to compare them to the Selosse.

Rosés in Champagne are made utilizing one of two methods: (i) adding a still red wine to the base wine(s) prior to the second fermentation or (ii) macerating the juice on the skins and bleeding the liquid off the solids prior to fermentation. The latter method is referred to by its French name saignée. I will cover the Rosés under consideration using the production method as a classification scheme beginning with still-wine blends.

Still-Wine Blends
The Jacques Selosse Rosé is made from a blend of two successive vintages of Avize Chardonnay (94%) plus 6% of Ambonnay Pinot Noir from the vineyards of Egly-Ouriet. The wine is vinified with indigenous in 20% new oak barriques with the used-oak component secured from Burgundy's Domaine Leflaive. The wine spends a minimum of 5 years on the lees and is dosed at between 2.4 and 5.5 g/L.


There are distinct differences in coloration and taste from bottle to bottle of the Selosse Rosé. For example, a bottle that I recently tasted at Chroma Modern Bar showed orange, orange peel, butterscotch, orange rind, tangerine and was thick and rich. A bottle tasted at Le Taillevent in Paris, on the other hand, showed dried rode petals, strawberries, yeast, and sourdough. Lean with bright acidity and a burnt orange taste. This is not one of the finest grower Rosés; it is one of the finest Rosés. Period.

Jérôme Prévost's Fac-Simile is basically the Les Béguines base wine blended with Pinot Meunier still-wine from the same vineyard. The grapes are hand-harvested and fermented by indigenous yeasts in a mix of used barriques and demi-muids ranging in size between 400L and 600L. The wines are aged in the fermentation vessels. The wines are unfined, unfiltered, unstabilized, and no enzymes are added. Small amounts of SO₂ are added to the wine.

Liqueur de tirage addition is currently at 23 gm, down from 24.5 gm prior to 2007. This new level has resulted in lower pressure, fewer bubbles, and lower alcohol.

This single-vineyard, single-vintage, single-varietal champagne is disgorged after 18 months (Disgorgement prior to 3 years prevents this wine from being labeled a vintage champagne). Approximately 2 g/L of dosage is added.


I tasted two instances of this wine in quick succession and was mightily impressed on both occasions. The most recent tasting was at Roscioli in Rome. I saw this wine as having a more intense color in the glass than does the Selosse. Ripe apple, dried fruits and herbs on the nose. Faded strawberry, tamarind, intense acidity, and a lengthy finish on the palate. No traditional Champagne effects on the palate.

Chartogne-Taillet's Le Rosé is a blend of 60% Chardonnay and 40% Pinot Noir (with 15% of the Pinot Noir drawn from the 50-year-old vines in the Les Orizeaux vineyard). This is a vintage Champagne except that it does not meet the aging requirements. Fermentation is carried out in stainless steel tanks using indigenous yeasts.


This wine when tasted was concentrated on the nose with dried rose petals, potpourri, and Grandma's attic. A hint of yeast. Rose petals and strawberry on the palate. Bright, fresh, concentrated. Juicy. Exercises the salivary glands. A little burnt orange on the finish. Fine mousse. Pleasing but not as elegant as the Selosse.

The Egly-Ouriet Brut Rosé Grand Cru is built from 65% Pinot Noir and 35% Chardonnay and a small addition (6 - 8%) of Ambonnay Rouge drawn from cask. Ninety percent of the fruit is drawn from the Grand Cru Village of Ambonnay with the remainder being drawn from the Grand Cru villages of Bouzy and Ambonnay. The grapes are fermented, and the wine aged, in older barrels. The blend that goes to second fermentation is comprised of 50% current-year wine and 50% drawn from prior vintages. The wine spends between 48 and 60 months on lees and is dosed at between 3 and 4 g/l.


High-toned strawberry on the nose. Powerful with dried strawberries, bright acidity, yeastiness, and a limey minerality. Excellent persistence. Rich.

Saignée Method
The Roses de Jeanne Rosé (Le Creux d'Enfer) is made from Pinot Noir sourced from a lieu-dit of the same name and of which Cédric Bouchard owns 0.032 ha. In this case the grapes are harvested by hand, foot-stomped and then macerated on the skins and stems for up to 4 days in order to produce the classic color. The juice is then bled off the solids and fermented with indigenous yeasts in stainless steel tanks.

Malolactic fermentation occurs naturally. The wine spend 6 to 7 months in tank before being bottled and then spends 36 months in bottle sur latte. No dosage upon disgorgement

I was unable to secure a bottle of this wine for tasting. Walters describes the wine as "fabulously pure" and "silky and yet energetic with crystalline red fruits and subtle nettle and herbal notes."

The Saignée de Sorbée is a "deliciously sappy, peppery Rosé that can be thought of as a light red wine." The single-vineyard, Pinot Noir grapes are subjected to lengthy carbonic maceration and extended fermentation in oak barrels. Indigenous yeasts are used for both first and second fermentations.


Dark berry color in the glass. Anarchic bubbles. Berry and bramble on the nose along with candy floss and carbonic maceration. Ripe strawberry on the palate along with an effervescence. Almost no body initially -- ephemeral. Loses effervescence after a while and settles into a poor imitation of an acidic, short-finish Beaujolais wine.

Ulysse Collin Rosé de Saignée is made from Pinot Noir fruit from the flagship Les Maillons vineyard. This is a vintage Champagne with its 2012 inaugural vintage released in 2017 to the Hong Kong and Chinese markets. That initial release numbered only 700 bottles.


I was unable to secure a bottle of this wine for tasting. Peter Liem described the wine as vibrant, energetic, and full of concentrated red-fruit flavor (1.7 g/l dosage). Crush Wine described the inaugural vintage as "profoundly complex and incredibly challenging" while the 2013 "offers up a wild complexity -- red fruits mixed with earth, herbs and minerals in dramatic interplay."

The Pinot Noir for the Larmandier-Bernier Rosé de Saignée is destemmed and then macerated for 2 - 3 days before being bled off the solids. The juice is then fermented in enamel-lined steel vats with the resulting wine spending 1 year on lees. The wine spends an additional 3 years on lees post the second fermentation. Dosage is 3 g/l.

This wine was unyielding on the nose. Pinot fruit and rose petals on the palate. Austere.

********************************************************************************************************
Of the wines I tasted, I preferred the still-wine blends to the saignées. They seemed to be livelier. Jacques Selosse led comfortably among these wines but I was impressed by the Fac-simile, Chartogne-Taillet, and Egly-Ouriet.

©Wine -- Mise en abyme

Wednesday, October 3, 2018

Viticulture and winemaking practices of the "finest" Champagne grower-producers

For the vast majority of Champagne's growers, it is easier, and more profitable, to sell grapes to the Houses than it is to make and sell their own wine (Tyson Stelzer, Champagne Grower-producers: the beginning of the end, Decanter, 7/7/2018). So the growers that do produce their own wines are not doing so to have things easy, or in pursuit of easy dollars. Rather, they are mission-oriented; and the mission is the production of wines that are reflective of the terroir within which they are produced.

Robert Walters (Bursting Bubbles) has identified the following grower-producers as being among the "finest" in Champagne: Agrapart et filsJacques SelosseLarmandier-BernierUlysse CollinJacques LassaigneLa Closerie (Jérôme Prévost)Chartogne-TailletEgly-OurietVouette et Sorbee (Bernard Gautherot), and Roses de Jeanne (Cédric Bouchard). In a previous post I located and characterized these producers within the Champagne region. In this post I compare and contrast their viticulture and winemaking practices as they pursue the common goal of production of terroir wines.

Farming Practices
Most of the producers practice some form of biodynamic, organic, or sustainable farming. Of the ones practicing biodynamic or organic farming, individual producers may or may not be certified. Jacques Lassaigne, for example, farms its vineyards organically, eschewing fertilizers, herbicides, and pesticides. The grass in the vineyard is cultivated between vines and rolled flat between rows. Ulysse Collin practices a mix of organic and conventional farming in order to provide the flexibility to intervene if the occasion warrants it. Vineyard practices include:
  • Ploughing ("To plough the soil encourages biological activities for oxygen, water, temperature and fungus" -- Olivier Collin)
  • Powdered sulfur to combat odium
  • Organic insecticides used against ver de la grappe (tiny caterpillar that eats the berries and causes gray rot)
  • Mildew is fought with chemical compounds
  • Organic compost is added to the soil as needed.
Bertrand Gautherot of Vouette et Sorbée Bertrand started out a grower and his passion has always been in the vineyards. He began farming biodynamically in 1998 and gained his certification in 2001. He feels that "biodynamics has encouraged the root structure of his vines to descend deeper into the ground rather than settling for nutrients near the surface" (Peter Liem, Champagne).

Fruit Quality
Growers and Houses in Champagne are not too concerned about the ripeness of the fruit as chaptalization and dosage are available as options to boost the sugar content of the wine. Further, if a yeasty character is the end goal, then fruit ripeness represents something that has to be mitigated. That is not the case for the grower-producers, however. Every one of the producers identified herein pursue ripeness of fruit (As a matter of fact, Tom Stevenson, noted Champagne critic, has accused Selosse of using over-ripe fruit in his wines).

According to Walters, the key to the Larmandier-Bernier wine is its ability to harvest fully ripe grapes. Walters sees this ability being driven by:
  • Biodynamic viticulture
  • Balanced yields
  • Minimal fertilizers
  • Precise pruning 
  • The nerve to wait.
According to Larmandier-Bernier, its recipe for high quality grapes is:
  • Old vines
  • Working the soil (The estate feels that ploughing promotes deep roots and facilitates healthy soils)
  • Moderate yields
  • No fertilizers
  • Mature grapes picked by hand.
Yields in the Roses de Jeanne vineyards are vanishingly small -- 26 hl/ha -- making it easier for the vines to produce ripe, high-quality wine grapes. With the low yields, Bouchard's wines easily attain 11% - 12% alcohol, unfamiliar territory (without chaptalization) for most other Champagne producers.

Pressing
Grapes are gently pressed in refrigerated (Egly-Ouriet), bladder (Larmandier-Bernier), or manual (Ulysse Collin) presses. In the case of Egly-Ouriet, the press is whole-cluster and only the first run juice is used. In the case of Ulysse Collin, the first and second issue from the press are pumped into vats and stored separately for 1 year after which they are blended. According to Olivier, the first press provides backbone and structure while the second adds strength and richness.

Fermentation
All producers use indigenous yeasts to ferment the grapes in a variety of vessels to include oak barrels (of various sizes and origin), stainless steel tanks, and concrete eggs. Plots are vinified and held separately.

Scalawine.com, in discussing fermentation at Egly-Ouriet, stated thusly:
Like many Burgundians, Francis (ed. of Egly-Ouriet) is convinced a big element of barrel fermentation and long (7 - 10 months) aging on the lees of the first fermentation is critical for expressing the terroir in the wine, giving less of a reductive "stainless steel" effect to the wine and, of course, allowing individual parcels to be captured and calculated into blending options much more precisely than if larger tanks were used. The small volume of wine in barrel gives less pressure over the lees than in a big tank, so better convective contact with the solids and enough infinitesimal exchange with air to avoid the sulfery reductive aromas that can be the bane of wines kept long on lees. A long time on the first lees allows a gentle flocculation of yeasts and settling out of the tiny colloidal solids in the wine. There is no battonage to avoid "fatness" in the wine and this long barrel regime for the vins clairs obviates any fining or filtration.
Aging
Malolactic fermentation and aging occur in stainless steel tanks or in oak; in some cases on the lees (6 - 36 months) and, in some cases, with lees-stirring. Prevost ages his wines in a mix of used barriques and demi-muids ranging in size between 400L and 600L. Unlike Jacques Selosse, for example, Cédric Bouchard does not use any oak in the aging of his wines. In his view, wood adds substances to the wine and, in so doing, detracts from the terroir effects. In addition, the use of oak promotes oxidation of the wine and he views oxidative notes in Champagne as a flaw (as does Tom Stevenson). All of the Bouchard wines are fermented and aged in stainless steel tanks

Additives
For the most part, the producers do not fine, filter, cold stabilize, add enzymes, or chaptalize their wines. Agrapart adds 50 mg/l of SO₂ at crush to combat oxidation while Prévost, Selosse, and Vouette et Sorbée own up to minimal amounts added.

Blending
Because of the small plot sizes in Champagne, a producer generally presses grapes from multiple villages and stores the resulting wines separately until blended. Bouchard and Prévost do not blend their wines. Rather, they seek to distill the essence of terroir through single-vineyard, single-variety, single-vintage wines.

In Agrapart's view, some components show as complete and then regress when blended with wines from another village. They notice no such regression when wines from similar geological environments are blended and this has led them to implement geological blends -- finished Champagnes that come from vineyards with similar geology (Walters). In Pascal's assessment, these similar-soil wines blend more "comfortably."

Peter Liem calls the Selosse blending process solera and describes it as being akin to the process used to make sherry in Jerez. Both White and Parker refer to the Selosse method as perpetual blending. According to Parker, the true solera method requires that each vintage (criadera) be kept separately with the oldest vintage being called the solera. Selosse, on the other hand, adds the new vintage to a common pool and then draws from that pool for the current season's wine.

A number of the producers hold back a portion of each year's wine as a reserve to be added to future vintages. Those future wines will then be comprised a blends of two or more vintages.

Liqueur de Tirage
Prévost adds 23 gm down from 24.5 gm prior to 2007. This new level has resulted in lower pressure, fewer bubbles, and lower alcohol. Bouchard is even lower at 20 gm (well below the norm of 24 gm). This reduced level of sugar yields gas pressure of 4.5 atmospheres (versus and average of 6) and "a gentle, disappearing mousse."

Lees Aging
Depending on the producer and the wine, lees aging can range between 1 and 10 years.

Dosage
Dosage is very low among the producers, ranging from zero across the entire line (Vouette et Sorbée) to a range that tops out at 7 g/l (Larmandier-Bernier and Agrapart). The entire line of the Prévost, Egly-Ouriet, and Ulysse Collin wines fall at or below 3 g/l dosage.

**********************************************************************************************************
In an article titled Alternative Champagne 2 (The World of Fine Wine, Issue 35, 2012), Robert Walters describes "Champagne de Terroir," as a wine which "maximizes the expression of the vineyard and removes the influence of the winemaker."  These Champagnes de Terroir are, according to Walters, "only produced successfully by a handful of the finest growers." I have identified and characterized the methods of these fines growers in this post and they are summarized in the chart below.


©Wine -- Mise en abyme

Sunday, July 29, 2018

Egly-Ouriet: One of the top two "Great Growers" in the Champagne region

I resume my survey of Champagne's Great Growers with a review of Montagne de Reims' Egly-Ouriet Champagne.

In his much-heralded tome Champagne, Peter Liem describes Francis Egly, current owner of Egly-Ouriet, as being second in reputation only to Anselme Selosse among grower-producers. Further, "his champagnes are powerful and rich, although they are capable of great complexity and finesse" (Peter Liem). In discussing Egly's contribution to the grower movement, Robert Walters (Bursting Bubbles) states thusly: "Undoubtedly, Selosse, as a more outspoken, open and charismatic figure, has been far more influential on the grower movement in general, yet the Egly legacy is also significant."

Egly-Ouriet Champagne was established in the 1930s. Francis began working with his father (Michel) in the early 1980s and took the reins fully when his father stepped back from the business in the early 1990s. The family's historical holdings are the Grand Cru vineyards shown in the figure below with the Premier Cru vineyard brought into the enterprise by Francis' wife.

The Vrigny Premier Cru vineyard is planted exclusively
to Pinot Meunier while the Grand Cru vineyards are planted
 70% Pinot Noir and 30% Chardonnay.

In his father's time, all the grapes were sold to negociants but they began bottling their production during the early stages of Francis' participation in business affairs. Francis attributes the quality of his wines to his pursuit of optimal ripeness, a practice resulting from the recommendation of noted French wine writer Michel Bettane. The vineyard practices employed in order to sustainably produce ripe fruit include (Walters):
  • Regular plowing
  • No pesticides
  • Organic compost only
  • Shoot thinning
  • Leaf thinning
  • Fruit thinning
  • Harvesting later than most.
Grapes are hand-harvested when fully ripe and transported to the cellar where they are gently pressed whole-cluster in a refrigerated Press. Only the first-run juice is used in the wines. The must is fermented in tank or French oak with indigenous yeasts. The base wines are aged on their lees prior to undergoing in-bottle fermentation. The Egly-Ouriet cellar is built on multiple levels to allow garvity-based movement of must and wine.

The Egly-Ouriet portfolio of wines is shown in the chart below.

In addition to the Champagnes shown above, Egly-Ouriet produces
 a Pinot Noir still wine from a single, old-vine parcel in Ambonnay.
The wine is only produced in the best years.

The words that are repeated again and again in relation to Egly-Ouriet wines are power, intensity, and purity of fruit. In describing the Blanc de Noir, arguably one of the best Blanc de Noirs in the region, Walker states:
This is the emblematic Egly wine: remarkable depth and power of fruit yet with a pillowy, layered texture and an electric intensity of chalky freshness that keeps the wine dancing across the palate ...If I had to choose two wines to highlight the work of Egly, it would be this one and the Brut Tradition.
©Wine -- Mise en abyme