Friday, December 18, 2020

Tasting Penfolds Grange: 1968 - 2014

Described by Hugh Johnson as the "only first growth of the southern hemisphere," and by Robert Parker as "the world's most exotic and concentrated wine," Penfolds Grange is definitely the most famous wine coming out of Australia and a fixture in the cellars of serious wine collectors around the world. These considerations have led us to arrange/participate in a number of tastings focused on this Penfolds label and covering a high number of vintages between 1968 and 2014.

I will provide some background and then proceed to the tastings

Penfolds Background
No one was as important to the development of Penfolds Hermitage Grange (Penfolds Grange since 1990) than the then winemaker Max Schubert but the founding and nurturing of the company can be traced back to Dr. Christopher Rawson Penfold and his wife Mary. Dr. Penfold, who was firm in his belief in the medicinal value of wine, planted some French vine cuttings around his home in Magill, Adelaide -- called the Grange -- upon his emigration to Australia in 1844. He produced port and sherry from the resulting grapes for dispensation to his patients. Upon his death, Mary took over the running of the winery and, in this task, she was ably assisted by her son-in-law, Thomas Hyland. Thomas and Georgina, Mary's daughter, assumed management responsibility when Mary retired in 1884 and the family members retained control until 1976. The company is now owned by Treasury Estates.

Penfold's wine production consisted primarily of fortified wines and brandy up until the 1950s. Jeffrey Penfold Hyland, reacting to his perception of changing tastes, asked Max Schubert to look into the increased production of table wines. As a part of that mandate, Schubert visited the wine-growing areas of Europe and was very impressed by the aged wines he encountered in France. He was convinced that, with the proper technique, he could produce a quality, long-lived wine in Australia and sought to put that into practice with the production of an experimental vintage -- utilizing the Syrah grape -- of Penfold's Hermitage Grange in 1951. The early wines were not well received. So much so that the board, in 1957, forbade further production of the wine. Schubert continued to produce the wine in secret and, as the earlier vintages stabilized, they began to receive more favorable consideration. These favorable comments trickled back to the board and, in 1960, they authorized Schubert to resume production of the wine. Of course, he had never stopped and, thanks to his “cheekiness," there has been an unbroken string of Penfold's Grange produced since the experimental vintage in 1951.

From the beginning Penfold's has pursued a multi-vineyard, multi-district grape-sourcing strategy bolstered by a "house style" of complete, controlled fermentation followed by aging in new American oak barrels. The grapes for the wine are sourced from vineyards in the Barossa Valley, McLaren Vale, and Magill, all regions falling within the Adelaide "super zone."

The tastings are recounted below.

Five Decades of Penfolds
Ron Siegel proposed a vertical tasting of the wine to our group. We agreed immediately and he set about making plans. The wines would be sourced from his cellar and participants would re-imburse him for the cost. I invited Dlynn Proctor, Penfolds US Winemaking Ambassador at the time, and one of the stars of the movie SOMM (and a valued friend), to guide us through the tasting.

Photo courtesy DLynn Proctor, Penfolds

A Dlynn sandwich

Tasting team

Ron made an opening statement and then introduced DLynn. DLynn was brilliant all evening, a veritable fount of information on Penfolds as a company, the wines, the winemakers, the vintages. The guy is a walking Penfolds Grange encyclopedia. He began by asking the rhetorical question "What is Grange?" "It is technically Bordelaise," he said. Max Schubert, the first wiinemaker, went to Bordeaux twice and fell in love with the Bordeaux wines he tasted. In those early days Bordeaux wines did include some Syrah and some of the best wines he tasted on those trips were Cabernet-Syrah blends. He wanted to make that type of wine but the Cabernet Sauvignon available in Australia at that time was not very good. Schubert wanted to make a wine that would age for 50 years -- a la the great Bordeauxs -- and, in his view, that made the vineyard pre-eminent. It was not until 1964 that Cabernet Sauvignon -- a kiss, according to DLynn -- was introduced into Penfolds Grange. 

1980s Flight
The first flight was the wines from the decade of the 1980s: 1980, 1982, 1986, and 1989.


We tasted from oldest to youngest in each flight so the Grange 1980 was the first one up. DLynn said that this had been a cooler vintage (by Australian standards). The wine exhibited aromas of coconut oil, violets, earth, game, and mint. Balanced, with the acidity and 12.9% alcohol fitting perfectly into the matrix of the wine. Long, balanced finish with rich, oily aftertaste. Rhonesque. 

The 1982 Grange Hermitage was a blend of Shiraz and 6% Cabernet Sauvignon (DLynn). This had riper fruit than the 1980 and showed jammy, stewed fruit, prunes, coconut, anise, cedar, mint, tobacco, and leather. On the palate it was ripe fruit, richness, concentration, a saline character, and an earthiness. Long finish with a saline aftertaste. This was more of a New World wine than was the 1980. 

The Penfolds Grange Hermitage 1986 was the last vintage for winemaker Don Ditter (who had taken Chief Winemaker responsibility from Max Schumer in 1976). The wine was 13% Cabernet Sauvignon and had aromas of spice, dill, bay leaf, thyme, phenolics, and a slight green note. Savory. Great balance. Slight dill flavor on the palate. Integrated tannins and a long finish.

The 1989 vintage was made by John Duvall (winemaker from 1986 to 2001) and was markedly different from any of the wines tasted to date. The vintage had been peculiar in that it was wet and cool early then hot for the remainder of the growing season. This wine was 9% Cabernet Sauvignon. Ripe fruit, molasses, savoriness, beef broth, blackpepper and blue fruit on the nose. Dark fruit and molasses on the palate. Rich.

The wine of the flight, as voted by the team, was the 1980 vintage.

2000s Flight
The wines included in this flight were from the 2001, 2004, and 2006 vintages.


The 2001 Grange was the final Duvall vintage. According to DLynn, this was one of the hottest Grange vintages ever. He spouted statistics of 14.02% abv, pH of 3.52, and TA of 6.89. The wine smelled porty, alcoholic, oily. It was ripe and fat, with the most obvious tannins to date. Alcohol present. Broad-guaged, alcoholic finish. Acid-averse.

The 2004 vintage experienced an even, moderate growing season which resulted in (according to DLynn) a complete wine. 4% Cabernet Sauvignon. On nose coconut, dill, savoryness, richness. Round and rich on the palate. Excellent texture. Long finish.

The 2006 was a conundrum. DLynn described it as old world and new world in the same vintage. Rain late in the growing season had fattened up the clusters. I got porty, overripe fruit on the nose along with dill, wax, creme brulee, coconut, and a savoryness. On the palate not a full, round mouthfeel. Drying/green tannins. Stewed fruits, short finish, and a "pale", drying aftertaste.

The 2004 vintage was voted wine of the flight.

1990s Flight
This flight included wines from 1990, 1994, and 1998.


The 1990 Grange showed toffee, praline, pencil lead, blackpepper, and ripe black fruit on the nose. Rich, ripe fruit on the palate. Concentrated, with a long finish. Very Graves.

1994 was a cool vintage and that is reflected in the pyrazine, bell pepper, black-eyed peas notes on the nose. Plum. Sandalwood. Rich.

The 1998 had ripe fruit, baking spices and pepper on the nose. Salinity and richness on the palate. Super concentrated. Late-arriving tannins. Sappiness. Long, creamy finish. DLynn felt that even at 14.23 % abv, this wine was technically balanced.

The team selected the 1990 as the wine of the flight.

1960s/70s Flight
This flight consisted of wines from 1968, 1971, 1976, and 1978.


The 1968 presented aromas of espresso, vanilla, mocha, cocoa, leather, blackpepper, gunoil, coconut. A sweet La Mish on the palate. Mushroom, savory, complex. I called it a 1985 Heitz Martha's Vineyard. Steve called it an '85 BV Georges de la Tour. I loved it. We all did, as a matter of fact.

The 1971 was oxidized.

The 1976 was 11% Cabernet Sauvignon and exhibited herbs, fennel, gunflint, chocolate, and coffee on the nose. Someone yelled "Haut-Brion." It was very Bordeaux-like and we got into a heated discussion when trying to determine the wine of the flight because it came down to this Bordeaux style versus what I will call the "When-Napa-was-Napa" style exhibited in the 1968.

I did not capture any notes for the 1978. Steve described it as expressing coffee, fig newtons, chocolate-covered caramels, and sawdust.

At the culmination of a warm debate (and a number of ballots, with some changed votes), the 1976 was chosen as the wine of the flight by one vote. The wines of this flight were clearly the class of the bunch (given the type of wines that are drunk on a regular basis by the people in the room) and the winner of this flight automatically was the wine of the night.

As Steve noted, somewhere in the mid-80s, Grange shifted to a bigger, bolder style, reminiscent (or a harbinger) of the California path. The wines are wonderful, great-tasting, and gain complexity with age. I doubt whether the more modern wines will gain the type of complexity and class we saw demonstrated in the wines of the 1960s and 1970s.

Penfolds and the Pinnacle of Australian Wine: Pebble Beach Food and Wine
I love to participate in tastings where Paolo Basso is lead because, not only is he a pure taster, he is also elegant, clear, and precise in describing the sensory characteristices of the wine "under the microscope." But I also love participating in tastings led by DLynn Proctor because he is unmatched in describing the technical characteristics of the wine and the conditions under which it was produced; a style in marked contrast to the Basso approach. DLynn headlined a panel at Pebble Beach Food and Wine (April 9 - 12, 2015) titled Penfolds and the Pinnacle of Australian Wine.

The Grange flight consisted of wines from the 1986, 1989, 1998, 2008, and 2010 vintages. I had tasted the 1986 as a part of our Five Decades of Penfolds Grange tasting and had described it as having aromas of dill, bay leaf, thyme, phenolics and a little greenness. I had also described it as balanced and savory and having integrated tannins and a long finish. Similar characteristics exhibited at this tasting except for a hint of portiness that I had not evidenced previously.

The 1989 wine had also been tasted earlier and in that case I described it as having ripe fruit, molasses, savoriness, beef broth with dark fruit and molasses on the palate. The notes for this tasting aligned somewhat in that I evidenced an aromatic high tone along with pyrazine, sugar cane, and molasses on the nose to go along with dark fruit, pyrazine, and molasses on the palate. 

The 1998 had rich, dark, ripe fruit along with baking spices and pepper on the nose. Palate-filling. Rich and concentrated with a long creamy finish. Hint of port.

The 2008 was perfumed on the nose with baby talcum powder, sawdust, chocolate dust, and cocoa dust. Elegant on the palate with sweet ripe fruit and a hint of green. Toffee, coffee, chocolate, and a long smooth finish.

The 2010 also exhibited an elegant nose. On the palate thick, rich dark fruit. As Yogi Berra would say, "Its future is ahead of it."



All in all this was a fun tasting. Dlynn and Greg made stellar contributions to the affair. I wish that the audience member who sucked up most of the oxygen had been a little more knowledgeable. 

Penfolds Grange Vertical Tasting at Wine Watch


The 1997 Grange was 96% Shiraz and 4% Cabernet Sauvignon, made with fruit drawn from Kalimna, Barossa Valley, McLaren-Vale, and Bordertown. This wine was aged for 20 months in new French oak. A somewhat challenging vintage combining a cool start to the season with high heat in the summer.

A elegant nose with dark fruit, baking spices,  and rust. Open on the palate with tar, orange liqueur, herbs and spices. Long creamy finish. Great acid level in this wine. This turned out to be my WOTN.

The 1999 Grange was made from Shiraz grapes grown in Kalimna, Barossa, Magill Estate, Mclaren-Vale, and Padthaway. This was the first 100% Shiraz Grange since 1963. This wine was aged for 17 months in new French oak.

Elegant and restrained. Baking spices, herbs and red fruit on the nose. Broader-based on the palate with red fruit, licorice, dried herbs, and a long, creamy finish.

The 2000 Grange was another 100% Shiraz and, together with the 2001, the only vintages made with grapes only from Kalimna and the Barossa Valley. Some rain between Christmas and New Years but very dry and very hot until March.

Eucalyptus, green herbs, black fruit, baking spices, leather and licorice on the nose. Black fruit, black olives, mint, chocolate on the palate. Smooth tannins. Finish not as long as the preceding wines.

The 2001 Grange was 99% Shiraz and 1% Cabernet Sauvignon from Kalimna and Barossa Valley. Aged for 17 months in New American oak. Good red wine vintage conditions.

Core of black fruit surrounded by eucalyptus, mint, tobacco, and cassis. Rich on the palate with sweet fruit, tobacco, and dark chocolate. Great acidity. I liked this wine.

The 2003 vintage was initially warm and dry, becoming milder later in the season. The wine was 97% Shiraz with the remainder Cabernet Sauvignon. Matured for 15 months in new American oak.

Florality accompanying dark fruit, herbs, mint and baking spices. Mint, black cherries, cassis, and black olives on the palate. Medium-bodied with medium acid levels.

Two thousand and four was an almost perfect growing season and, as such, delivered near-perfect fruit from Kalimna, Barossa Valley, McLaren-Vale, and Magill Estate. 96% Shiraz matured for 16 months in 100% new American oak .

Hint of oxidative character, orange skin, anise, black cherries, black tea, tar, herbs, and spices on the nose. Nose carries through to the palate. Balanced with long finish. One of the classic Grange's in my estimation.

The 2013 and 2014 were still way too young for my style and for this wine. These wines were 96% and 98% Shiraz, respectively, and spent 20 months in new American oak. Massive, powerful, and primary with eucalyptus and dark fruit. Thick, rich with bright, fruity finishes.

The wines on offer showed well but it would have been nice to have seen some older vintages. My favorite Granges of the night were the 1997, 1999 and 2004.


Miscellaneous Tastings
A Wine Journey: 1998 and 2004
At this time I was on a journey to taste Andrew MacNamara's Wines of the Decade. The vintages drank for this portion of the journey were from 1998 and 2004.  The winemaker for both these vintages was Peter Gago.  The 1998 vintage was 97% Shiraz and 3% Cabernet Sauvignon aged for 18 months in new American oak.  The 2004 was 96% Shiraz and 4% Cabernet Sauvignon aged from 16 months in new American oak.

The 2004 was tasted at our regular Antonio's Friday afternoon tasting.  This wine had a complex structure with cigar leaf, raw meat, cedar box, leather, coconut, salt, black pepper, cherry, and black licorice all evident on the nose.  This wine was obviously a baby but was well integrated with smooth wood tannins across the palate and a lifelong finish.  One taster felt that this wine was more exuberant than traditional Penfold's but that it would be "smoking in ten years."  The wine was tasted one hour later and at that time the alcohol had become very evident, as was the pepperiness, and the green note had now become a green chord, the acid was now dominant, and there was significant chalkiness on the tongue.  The wine exhibited its promise in the earlier tasting and then seemed to close down.


The 1998 was tasted at a dinner at the home of Keith and Nancy. We opened the bottle at around 8:30 pm and noted that it had good color.  On the nose we experienced black olives, sawdust, cigar box, sweet tobacco, sandalwood, coconut, coffee, mocha, and salt ocean spray.  On the palate there was black fruit and some salinity in the finish.  This wine was balanced, smooth and silky and had a "Jordanesque" hang time in terms of finish.


1997  -- The Wine that I Forgot
So I was supposed to bring this wine to our Five Decades of Penfolds tasting but I forgot. I took it to one of our Wednesday lunches instead.

According to penfolds.com, the 1997 vintage was challenging, combining, as it did, a cool start to the season with high summer heat.
Budburst was slightly later than usual in most South Australian regions, with mild weather through to Christmas. The onset of a prolonged heat wave in February further delayed ripening. Fortunately, a sunny, warm autumn followed, allowing vines to reach full ripeness.
The blend in this vintage was 96% Shiraz and 4% Cabernet Sauvignon. The wines were aged for 20 months in new American oak barrels and, at bottling, were 14% abv, had 7.8 g/l acidity, and pH was 3.52.

This wine was a dream. If we had consumed it on the night of the tasting, I may not have appreciated it as much as I did at lunch that day. Its beauty and richness may have been hidden behind a wall of Grange and Grange-fueled dialogue. Left alone on the stage, this wine shone incredibly bright.

On the nose, toffee, cocoa, vanilla, fudge, ripe fruit, dried herbs, and a rich elegance. The dried herbs carried through on the palate along with a thick, rich, creamy texture and silky tannins. This wine is perfectly balanced with enough acidity to perform palate-cleansing duties when it accompanies food. Long, rich finish with a creamy aftertaste. Ron said that it reminded him of a high-quality Pomerol and that if it had been included in the tasting it would have given the 1990 (the WOTF) a run for its money. This is truly a thoroughbred.


We did taste the 1988 vintage at a Victoria and Albert's Chef's Table Dinner but all of the wines were horrible that night, including the Penfolds. We just wanted the night to end.



©Wine -- Mise en abyme

Monday, December 14, 2020

IL Palazzone's Le Due Porte: The latest single-vineyard Brunello di Montalcino

Brunello di Montalcino DOCG is, unquestionably, one of the leading red wine regions of Italy -- and the world -- but defining a typical Brunello is a challenge. According to Monty Waldin (Brunello: The many crus of Montalcino, Decanter, 3/19/15), 30 - 35% of Brunello is sourced from the cooler grounds north of the town (yielding paler Brunellos) with the remainder from the warmer south (darker colored, more overtly fruity, savory wines). Of course, producers can blend grapes from the two areas to ameliorate stylistic differences.

In an effort to gain an even finer definition of the wines, a sub-zoning proposal (spearheaded by wine writer and educator Kerin O'Keefe) -- with the nomenclature and relative characteristics indicated in the chart below -- has been advanced.


But all hands are not on board with this proposal. According to Waldin, "Vineyards zoned in less highly regarded spots may be penalized by the media and then by the marketplace." In a blog post , Stefano Cinelli Colombini, owner and winemaker at Fattori dei Barbi, states that sub-zoning only works on paper, given the diversity in Montalcino vineyards. In a response to one of the comments on his post he notes that, in mapped areas, soil and geography stays constant but weather and things associated with humans are changeable. "You cannot make a reliable map of quality areas," he says. Stefano foresees journalists creating a ranking between zones and it being very difficult to change these down the road "because important economic interests will be involved."

Waldin proposed a different path forward for those seeking to comprehend Montalcino's rich vinous diversity: "... break the region down into its constituent parts by familiarizing oneself with Brunellos from single vineyards or single terroirs." And he has provided the roadmap summarized in the table below.

And, even though initially "... a little resistant to the Montalcino Cru argument ..." the Brunello producer Il Palazzone has introduced a cru Brunello using grapes sourced from its Le Due Porte vineyard. I will assess the wine in this post but first, some background on the estate and the vineyard.

Il Palazzone
Il Palazzone, according to Laura Grey, translates to the Big Palace and is often used to describe any big house. In the picture below, the structure to the far right is the Il Palazzone of relevance to us. "This is the oldest building on the property and gave its name to the estate." Though overlooking the property, the house is not owned by the estate.


As it relates to wine, Il Palazzone is a boutique Brunello di Montalcino producer located high-up on Montalcino hill and sourcing fruit from the vineyards surrounding the property (Due Porte), as well as two additional vineyards in the Castelnuovo dell'Abate sub-region of Montalcino.

Il Palazzone was originally an olive grove. It was bought by one Mario Bollag in the 1980s. The olive trees suffered dramatically in the freeze of 1984 (In a contemporary LA Times article, a grower named Franco Cencioni said "of the 1300 olive trees in his nearby grove in Montalcino, 80% show no sign of life.") so Bollag took them down and began planting vines instead. Bollag sold Il Palazzone to Richard Parsons, former CEO of Time Warner, in 2000. At that time the estate owned the 1.5 ha La Due Porte vineyard. In 2004 the estate added another 2.5 ha of vineyards with the purchase of two plots in the Castelnuovo dell' Abate subzone. The difference in terroir between the upper and lower elevation vineyards are demonstrated annually by a two-week-earlier blossoming and veraison of the latter over the former. The characteristics of the various Il Palazzone vineyards are shown in the figure below.


Montalcino as an excellent environment for grape-growing: (i) there is a cooling seabreeze in the afternoon and (ii) the diurnal temperature variation aids in acid retention and flavor development.

Looking out over the Due Porte Vineyard


The estate is, by and large, organic but is not certified as such. Farming practices are guided by a set of principles that the estate refers to as Responsible Agriculture. The elements and characteristics of the system are shown in the table below.

Table 1. Il Palazzone Responsible Agriculture System (Source: Il Palazzone)
ElementCharacteristics
Pesticides
  • No chemicals
   - Treatments made utilize base metals allowed by EEC 2092/91 governing organic farming
  • Manual labor rather than anti-fungal treatments
   - Strip away vine leaves by hand in order to give bunches as much air as possible
Cultivate biodiversity
  • Avoid chemicals as much as possible
  • Try to replenish the sol and environment
FertilizationOrganic fertilizers in the vineyard
  • Cover crops — nitrogen-rich leguminous plants such as lupins and fava beans in alternate rows
  • Cover crops plowed into earth, enriching and fertilizing the soil
Support postsLocally grown chestnut for support posts
- Do not need to be treated with preservatives

The vine training system employed is cordone speronato, along with some experiments with Guyot. Vine density ranges between 5000 and 6000 vines/ha. The vineyards are dry-farmed. Yield and fruit quality are managed via (i) a green harvest and (ii) leaf pulling two to three weeks prior to harvest. Yields are less than 5000 kg/ha.

In response to my query regarding the Il Palazzone winemaking philosophy, Laura stated thusly:
We hope to have wines that show an authentic expression of vintage; that incredibly complex set of moving natural variables intersecting with luck and human decisions. My expectation is that each wine should embody weather in the glass. I also consider the quality of our wines entirely dependent on our work during the year in the vineyard ... That said, of course our wines will have a common thread -- as easily identified as siblings to their parents.
Optimal harvest time is determined by a combination of factors to include weather, sugar and acid levels, taste, and color. Viticultural and enological decisions are within the purview of Maurizio Castelli, the estate's consultant winemaker.

Following a manual harvest, the grapes are brought into the reception area where they are sorted and destemmed. They are then fermented/macerated in large Slavonian oak vats for 18 to 20 days with frequent pumpovers and delestage. Each plot is vinified separately using indigenous yeasts.



Malolactic fermentation and aging are also conducted in Slavonian oak. The wines are racked depending on the vintage and development. "There are no hard and fast rules since we try to interpret each vintage as it presents itself." The wines are never fined but are filtered in the years where the vintage dictates such.

The estate ages its regular Brunello for 4 years. A Riserva is produced in the years when there is a perception that "the vintage will be considerably improved by a further wood aging." To date Riservas have been declared in 1995, 1998, 1999, 2001, 2004, 2006, and 2010. The Brunello spends 4 months in bottle as a Consorzio requirement but the estate is always happy with more time.

The Brunello is a blend of the three terroirs. Blending is effected just prior to bottling and is generally done in one of the vats if the volume is below 50 HL (the size of their largest vat). The contribution of each vineyard to the blend is vintage-dependent but, in general: Capa contributes fruit, sugars, and puissance; Vecchia gives minerality; and Due Porte gives aromatic complexity and elegance.

Le Due Porte Vineyard
Laura describes the vineyard thusly on her blog:

The Le Due Porte vineyards are the ones that surround the cellar, north-west of Montalcino, less than 1km from the town itself. The vineyards are sloping and the exposition is East/West. The soil type is pietraforte arenaria, a type of local,sandstone also known as Alberese. There is also clay and sand-loam and a significant presence of rock fragments (scheletro). The vineyards were re-planted in 2004 and vineyard density is circa 4,500 vines per hectare.

Le Due Porte is 540 meters above sea level. Historically high-altitude vineyards in Montalcino were considered with a mix of scorn and pity. Climate change has reversed this and the position of Le Due Porte has become a privileged one. Budbreak is later here, often avoiding issues with late frosts and snow. Ripening is slow and constant. The soil profile preserves humidity; important when making a wine such as Brunello that does not contemplate irrigation. Alberese has high levels of calcium carbonate which favors acidity, aided and abetted by the slower ripening and later harvest due to the exposition and altitude. We generally pick Le Due Porte as much as two weeks after our vineyards in Castelnuovo dell'Abate and are often amongst the last in Montalcino to harvest. The grapes develop organoleptic complexity from that extra hang-time and from the pronounced difference between day and night temperatures. In fact the altitude guarantees extreme thermal excursion even in hotter years which is wonderful for aromatic development.

The Wine
This wine is a winner; the best of the Il Palazzone products that I have tasted to date.



Elegant on the nose. Red fruit, baking spices, beeswax, creme brûlée, and wet tobacco.

Elegant and restrained on the palate. Focused, with red fruit, tar, tobacco, beeswax, burnt orange, and green herbs on the palate. Minerality evident. Late-arriving, palate-coating tannins. As the coating recedes, a tamarind character comes into focus. Long, fine finish. 

*********************************************************************
It has come to my attention that Il Palazzone has purchased to plot above Le Due Porte. On the basis of the performance of this Cru offering, I would not be surprised to see an additional one in the future.

©Wine -- Mise en abyme

Saturday, December 12, 2020

The inaugural vintage of Passopisciaro's Contrada Passochianche Mt Etna Chardonnay

Vini Franchetti has historically only offered a single white wine across its Tuscan and Mt. Etna properties but, over the last two years, has expanded Bianco offerings to three with the introduction of a Semillon at Tenuta Trinoro and a new Chardonnay at Passopisciaro. I explore the new Chardonnay in this post.

Andrea Franchetti's Mt. Etna Chardonnay Journey
When he arrived on Mt Etna in 2002, Andrea decided to restore some ancient terraces lying between the Guardiola and Passochianche Contradas and to plant the plots to Chardonnay rather than Carricante, the latter being best suited to the clime and soils of the eastern slope. The vines were planted at elevations ranging between 850 and 1000 meters in "very loose, deep, powder-like," mineral-rich lava. 

In 2009, Andrea planted an additional parcel of Chardonnay in Contrada Montedolce. 

Andrea's intent was to craft a long-lived Chardonnay reminiscent of the wines of Burgundy and, towards that end, planted at 12,300 vines/ha in order to force inter-vine competition and the production of small, concentrated berries. Andrea felt that the combination of stressed fruit, altitude, abundant sunlight, and significant day-night temperature excursions would produce wines with excellent body plus the acidity and minerality for which the zone is famed.

The first Chardonnay was introduced in 2007. It was called Guardiola initially but, since 2014, is called Passobianco. This 100% Chardonnay utilizes fruit from all Passopisciaro Chardonnay plots.

On every occasion that I have been to Passopisciaro, I have seen Andrea walking through the vineyard, plucking something here, tasting something there. So he knows the vineyards like the back of his hand; and he has noticed that as the vines become older, individual plots are developing distinct characteristics. In 2018 Andrea decided to utilize his knowledge of the vineyard characteristics to bottle a Contrada Chardonnay using grapes drawn solely from one of the highest parcels (870 - 950 m) in Contrada Passochianche. The resulting wine is called Contrada Passochianche.

The fruit sources for the Passopisciaro Chardonnays are summarized in the chart below.


2018 Contrada Passochianche
This was the first-ever edition of this wine. 

According to Passopisciaro, this "was one of the rainiest and most tropical vintages that we've seen on Etna in the last eight years, especially at the end of the summer." The number of leaf-pull passes through the vineyard had to be increased in order to provide air passage through the vines and mitigate the effect of the humidity. Additional mitigation efforts included the use of products such as clay, propolis, grapefruit seed extract, copper, and sulfur.

The harvested grapes were destemmed and cold-soaked for 12 hours. They were then fermented in large neutral oak barrels of no more than 20 Hl, followed by malolactic fermentation in barrel. The wines were aged on lees for 10 months in large neutral oak barrels and for an additional 12 months in bottle.


This wine was alive, taking on different characteristics as it spent more time exposed to the light of day. It was popped and poured. 

One of the first things that I noticed was the extremely high surface tension of the wine. I felt like even I could walk on that water. 

Restrained on the nose initially with hints of herbs, sweet white fruit, apple, and peach. Weighty on the palate at first blush. Bright, intense, racy acidity which was instantly ennervating of the salivary glands.  Citrus. Palate-coating chalky limestone and a peppery cupric finish.

The altitude is apparent, imparting a chiseled character. With the passage of time, a complex mix of minerality, acidity, bitterness, and slate on the palate and the finish.

The nose opens up to reveal tropical notes to include pineapple. As the initial bright acidity recedes, citrus (lime) and minerality rule the day. The wine continues to excite the salivary glands but in a less whole-palate manner. 

The wine becomes less weighty over time with lees and honeydew melon making their presence felt. More linear on the palate with consistent minerality and lime and a saline intrusion. Bitter finish with a lean, mineral, wet-rock aftertaste.

This is a complex wine which has all the characteristics and stuffing to hang around for a while. Definitely not your father's Passobianco.


©Wine -- Mise en abyme

Friday, December 4, 2020

La Mission Haut-Brion: 1966 - 2005

Chateau La Mission Haut-Brion is, according to Berry Bros & Rudd, "... the greatest Graves wine after Haut-Brion and in some vintages is considered the superior wine of the two." This is one of our most-oft-consumed Bordeaux wines and I share some of those tasting experiences in this post.

The Estate
Chateau La Mission Haut-Brion is  located in the Pessac-Leognan commune of the Graves sub-region of Bordeaux.  The estate produces three wines: Chateau La Mission Haut-Brion (the estate wine); La Chapelle de La Mission Haut-Brion (the second wine); and Chateau La Mission Haut-Brion Blanc. Vines for the red wines are grown on 26 hectares of gravelly soil layered on a sandy clay subsoil. The vineyard is planted to 43% Merlot, 47% Cabernet Sauvignon, and 10% Cabernet Franc.  The grapes are hand-picked at harvesting and sorted in the fields.  The grapes for the estate wine are sourced from vines that average 27 years of age and the fermented juice is aged between 18 and 22 months in 80% new oak.  The second wine is made from grapes picked from vines up to 7 years old as well as lower-quality grapes from older vines.

La Mission Haut-Brion Blanc was called Chateau Laville Haut-Brion prior to the 2009 vintage.  The grapes (87% Semillon and 13% Sauvignon Blanc) for this wine are grown on a 2.5 hectare plot where the vines average 63 years of age.

Tasting of Selected La Mission Haut-Brion Wines 
I have tasted a number of vintages of this wine and recount those in the following.

La Mission Haut-Brion - Institute of Masters of Wine Tasting
Chateau La Mission Haut-Brion held, in conjunction with the Institute of Masters of Wine, a vertical tasting of selected vintages of its wines at London's Trinity House.  The tasting was hosted by HRH Prince Robert of Luxembourg, President of Domaine Clarence Dillon S.A. (owners of La Mission Haut-Brion as well as its more famous sibling Chateau Haut-Brion), and Jean-Philippe Delmas, Estate Manager.  

The wines on offer at the tasting were: La Chapelle de La Mission Haut-Brion 2006; La Mission Haut-Brion (2005, 2003, 2001, 2000, 1998, 1990 and 1985); and Chateau Laville Haut-Brion 2006.  The tasting panel was comprised of Prince Robert of Luxembourg, Jean-Philippe Delmas, Richard Bampfield MW (moderator) and John Salvi MW. 

Panelist introductions were conducted by John Salvi and, in his opening remarks, he noted that the Delmas family have been caretakers of Dillon properties for 84 years, beginning with George Delmas in 1923 and continuing through to Jean-Philippe who took over from his father in 2004.  

In his remarks, Prince Robert emphasized the "eminent history" of La Mission beginning with its founding in the early part of the 16th century.  According to Prince Robert, when Domaine Clarence Dillon bought La Mission in 1983, the vines were not in good shape but an extensive replanting program addressed that issue.  A new vat room was built in 1987 and a rebuilding of the remaining physical aspects of the estate launched soon thereafter.  The most significant accomplishment, from his perspective, has been the attainment of a greater regularity in the quality of the wine.



The first wine tasted was the 2006 La Chapelle de La Mission Haut-Brion. Beginning with the 2006 vintage, the grapes from the 5 hectares of the discontinued Chateau La Tour Haut-Brion, previously a distinct cru under the Dillon umbrella, was blended into La Chapelle. The 2006 vintage, following the 2005, was widely anticipated but was a disappointment in Pomerol and Graves due to late rain and a hot July. According to UK retailer BBR, this was, however, a very good vintage for Pessac-Leognan. It was primarily a Cabernet vintage but Merlot was also picked in good condition. BBR thought that the Cabernets from some properties (La Mission, for example) were stunning and produced "fine, well-balanced wines." The final blend for this wine is assembled after in-cask malolactic fermentation. In the case of the 2006 vintage, the blend was 50% Cabernet Sauvignon, 22% Merlot, and 20% Cabernet Franc. The wine was aged in 80% new French oak and had 13.5% abv. Dark fruits, earth, tobacco, cassis, and spice on the nose. Dark fruits and earth on the palate. Round, with a medium finish.

The next wine tasted was the 2005 Chateau La Mission Haut-Brion.  According to Jean-Philippe, 2005 was a dry year from winter through the end of harvest leading to what Chris Kissack called "... one of the greatest Bordeaux vintages of recent decades." The final composition of the blend was 69% Merlot, 30% Cabernet Sauvignon, and 1% Cabernet Franc with alcohol levels of 14.5%.  This wine was ripe, rich, and powerful, exhibiting notes of black fruits, coffee, licorice and vanilla and a mild green florality. Very long finish.

The third wine tasted was the 2003 La Mission Haut-Brion. This was Europe's heatwave year, with an extremely hot August.  For this vintage, the chateau began harvesting fruit on August 13th, the earliest start date ever. The Merlot harvest began on the 18th of August (the Merlot suffered, according to Jean-Philippe) and the Cabernet Sauvignon on September 10th. The final composition of the blend was 52% Cabernet Sauvignon, 39% Merlot, and 9% Cabernet Franc. This wine was not as soft as the 2005 but had good structure and a finish of intermediate length.

The next wine tasted was the 2001 Chateau La Mission Haut-Brion. The 2001 vintage in Bordeaux was characterized by warm weather in ealy February followed by cooling in late February and through most of the growing season. This cool weather was punctuated by rainfall in August. Jancis Robinson views this vintage as "very nicely balanced" but geographically patchy. BBR saw the best communes for reds as being St. Julien, Pauillac, Margaux, and Pessac Leognan. The final La Mission blend for this vintage was 63% Merlot, 35 % Cabernet Sauvignon, and 2% Cabernet Franc. This wine was reticent on the nose but had good weight on the palate, good balance, and a medium finish.

The 2000 vintage in Bordeaux was much anticipated and it delivered on its promise. According to BBR, the weather leading up to harvest was excellent and rain was almost non-existent. These conditions resulted in "ripe, succulent fruit" with "fine, firm tannins" and structure and depth reserved for only the finest Bordeauxs. The composition of the 2000 La Mission Haut-Brion was 58% Merlot, 31% Cabernet Sauvignon, and 11% Cabernet Franc.  On the nose this wine presented black fruit, cassis and vanilla.  It delivered on the palate along with a richness and lengthy finish.

The next wine in the series was the 1998 La Mission Haut-Brion. The vintage was characterized by variable weather during the growing season and dry conditions during the Merlot harvest in early September. Even though rain affected the Cabernet Sauvignon harvest in late September, the Pessac Leognan wines fared much better than their left-bank counterparts, probably because of their higher Merlot content. This was a 50% Cabernet Sauvignon and 50% Merlot blend for La Mission.  On the nose, notes of leather, dried black fruit, spices and olives. On the palate, soft tannins integrated into the fruit, excellent balance, richness, and a long finish.

A hot, dry summer yielded rich, age-worthy wines all across Bordeaux in 1990. The 1990 La Mission Haut-Brion blend in that year was 48% Merlot, 42% Cabernet Sauvignon, and the remainder Cabernet Franc. This wine is developing beautifully with bell pepper, cedar box, leather, graphite and an earthy minerality on the nose. The tannins are less integrated and this provides a slight drying-out on the palate but overall this wine has great balance.

The last red in the series was the Chateau La Mission Haut-Brion 1985. That year was described by BBR as an "extremely successful year in Bordeaux which produced some of the most immediately seductive and appealing clarets in living memory." On the nose this wine had great minerality, black fruit, leather, cedarbox, graphite and mild green beans. It exhibited richness and great length on the palate.

In commenting on the 2006 dry white wines from Bordeaux, Chris Kissack found then to be "... vibrant, packed with flavor, bright and lively," the result of cool weather during August and a resultant gradual ripening with retention of aroma and freshness. The 2006 Chateau Laville Haut-Brion was not the exception to this rule. For this wine the blend was 86% Semillon and 14% Sauvignon Blanc with the former adding structure and the latter acidity. On the nose tropical fruits, lime, grapefruit, honeydew melon, peaches, spice, and bland red pepper. Fresh, with some heat, on the palate.

Jean-Philippe Delmas
Prince Robert of Luxembourg and Author

A World of Cabernet Sauvignon at Vines Bar and Grill
I recently convened a tasting panel at the Vines Bar and Grill on Sand Lake Road in Orlando to investigate the characteristics of Cabernet Sauvignon grown under differing soil and climatic conditions.  


The tasting was divided into four region specific flights: Bordeaux; Chile/Washington State/Bolgheri; Napa/Sonoma; and Margaret River/Coonawarra/Barossa Valley.  The Bordeaux flight is definitely a left-bank flight and largely drawn from the Medoc, the primary Cabernet Sauvignon space in the region. The characteristics of the Medoc and Graves have been detailed in previous posts.  This particular flight was comprised of the following wines: 1967 Chateau Montrose (St. Estephe); 1998 Chateau Mouton-Rothschild (Pauillac); 2003 Chateau Ducru-Beaucaillou (St. Julien); 1996 Chateau d'Issan (Margaux); and 2003 Chateau La Mission Haut-Brion.  Panelists notes are presented in this post.

The 2003 La Mission Haut-Brion was previously tasted at the Masters of Wine La Mission Haut-Brion tasting in London.  At that time I had characterized the wine as having good structure and a finish of intermediate length.  The panel picked up pencil shavings and graphite on the nose but all in all felt that the nose was not saying much.  Ron said that La Mission for him meant scorched earth, tobacco, and road tar and he was not picking up any of that This wine had more of a Napa feel along with little acid and a middling finish.  The sentiment was that while the wine was disjointed at this time, it would mature into a more pleasing wine with patience.

1982 Bordeaux Tasting at Bull and Bear
Flight V: Chateau Haut-Brion and Chateau La Mission Haut-Brion

The Haut-Brion was, disappointingly, maderized. The 1982 La Mission Haut-Brion had been awarded 96 points by Robert Parker. In our tasting we detected notes of mushrooms, earth, tobacco, molasses, and dried stewed fruits. Layered, complex, with a long finish.

White and Sauternes Flight: Chateau Laville Haut-Brion and Chateau d'Yquem

The Laville Haut-Brion had notes of crushed pineapple, ocean air, boat exhaust, linseed oil and a certain waxiness. On the palate freshness, gasoline, smoked lychees, stony minerality, volcanic ash.  Dry, balanced finish.  For us, a vino de meditazione.

Night of Wines at Victoria and Albert
This was a Bordeaux-only flight and was led off by a 1966 La Mission Haut Brion. Wow! It has been a long time since we had a Bordeaux that beat the Burgundies and this was the Groups’ WOTN. I can not keep my hands off this wine. This wine presented a kaleidoscope of flavors beginning with sweet blackcherry, smoke, tar, cigar box, soy, spice, and mineral. The finish is near perfect as it has reached it's peak and well stored bottles will keep for several more years (Ron's notes).

Miscellaneous Lunch/Dinner Tastings
La Mission Haut-Brion 2004 -- Notes of black fruits, cedar, leather, earth, forest floor, licorice, and tobacco. Medium-bodied. Showing good balance. Youthful and still slightly closed (Ron's note).


La Mission Haut-Brion 1978 -- Sweet black fruits with an earthy, tobacco, cedar, licorice, and a smoky, tarry note. Full-bodied on the palate with melted tannins. Very youthful. One of the great La Mishes (Ron's note).


La Mission Haut-Brion 1993 -- Classic example of how La Mish makes great wine in off vintages. Intoxicating nose of black fruits, mineral, road tar, earth, cedar, leather tobacco, licorice, and spice. I have not tasted a better 1993 Bordeaux (Ron's note).

La Mission Haut-Brion 1979 -- I love La Mish; including off-vintages. This wine showed sweet red and black fruits, forest floor, leather, road tar, licorice, cigar ash, and spice. A fully mature wine that is still drinking well (Ron's note).


La Mission Haut-Brion 1976 -- Notes of soy, tobacco, leather, cedar, cigar box, and mushroom. Savory on the palate. Blackcurrant and plum. Lengthy finish.


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One of my favorite Bordeauxs. Ron has acquired a ton of the 1966s and we have drunk a lot of those over the past many years.


©Wine -- Mise en abyme

Wednesday, December 2, 2020

The estate and wines of Domaine Guy Roulot

To taste a Domaine Roulot wine is to taste a sense of deep rootedness, fine and crystalline, and yet somehow open. Although subtly powerful, the wine never imposes itself before the taster has time to form his own reactions... For me, the subtlety and finesse of Jean-Marc's very feline wines fulfill the criteria for a legitimate work of art: conventions coexisting with freedom of access and interpretation (Jonathan Nossiter (Liquid Memory) describing the wines of Domaine Guy Roulot). 
Domaine Guy Roulot is headed by Jean-Marc Roulot, scion of the namesake founder, who took the reins of the Domaine in 1989 from a succession of caretaker winemakers who had overseen production since the death of his father in 1982. The Domaine is known primarily for its plot-specific whites from Village and Premier Cru sites in Meursault but it also produces red wines with grapes sourced from Auxey-Duresses and Monthélie as well as a Bourgogne red sourced from Volnay and Puligny-Montrachet parcels. In this post I examine the estate and revisit some of our experiences tasting the wines.

The Estate
The estate's Meursault holdings are shown in the chart below.

Source: compiled from kermitlynch.com

Jean-Marc's commitment to these terroirs, and their wines, is illustrated by his comments to Nossiter: "... I am as attached to my village vineyard designation as the premier cru. The day I can't bottle my Tillets, Meix Chavaux, and Tessons separately is the day I'll leave any system of official designation ... We need to continue to work to understand the individual identities of each parcel of vines, whether it is at the village, premier cru, or grand cru level." In a conversation with Benjamin Lewin MW, Jean-Marc ranked the differences between lieux-dits as: (i) exposition, (ii) elevation, then (iii) the clay-limestone proportions with a resultant 1-week differential in harvest-initiation between Luchets and Narvaux.

One of the early decisions that Jean-Marc made upon taking the reins at Domaine Roulot was to pursue organic farming. In explaining his decision to Nossiter, Jean-Marc spoke admiringly of biodynamicism but going organic was a huge step for the winery. It was a step, however, which allowed the individual identity of each plot to be "more strongly expressed." Even though practicing organic principles since 1989, the estate was not formally certified until 2013.

The estate produces both white and red wines with the whites made from Chardonnay or Aligoté and the red from Pinot Noir. The winemaking processes are illustrated in the graphic below.



Tasting the Wines
In this section I will address (1) our tasting during a Raj-Parr-led visit to the domaine, (2) a lunch tasting in NYC, and (3) the bottles that Ron, Bev, Parlo, and I have tasted during our Wednesday lunches or visits to NYC restaurants.

Roulot Visit
It was clear that Raj and Jean-Marc were good friends and were happy to see each other because they immediately fell into an animated winemaking conversation which threaded its way through our entire visit. It was fascinating and a wonderful learning opportunity for us.

The wines to be tasted were placed on an upright barrel in the center of the room and Jean-Marc began to open them. The tasting would unfold in two parts: a tasting of the 2012 whites followed by a tasting, some of it blind, of some older vintages.

As he opened the first bottle, Jean-Marc looked around the cellar ruefully noting that, under normal circumstances, barrels would be stacked three rows high. The 2012 vintage had not been normal though with hail damage, mildew, odium, and heat combining for a 60% reduction in stock.

Jean-Marc Roulot opening bottles for our tasting
Rajat Parr and Jean-Marc

The tasting proceeded on two tracks: a tasting of the 2012 whites followed by a tasting, some of it blind, of some older Roulot vintages. The 2012 tasting segment tasered terroir onto our palates while the free-form segment cemented Raj Parr's reputation as an accomplished blind taster with superior knowledge of Burgundy wines.

2012 Meursaults
The 2012 vintage had been abnormal with hail damage, mildew, odium, and heat combining for a 60% reduction in stock. We tasted through the full range of Meursault wines. Given that these wines were from the same vintage, and had been subjected to similar winemaking treatments, any differences should be attributable to terroir. And we did note such differences. There were consistent observations of fruitiness, minerality, and crisp acidity but texture, degree and shade of fruitiness, type of minerality, and florality varied depending on the source of the fruit. Our observations regarding these wines are captured in the table below.

                           Domaine Guy Roulot 2012 Meursault Wines
Classification
Climats/Lieux-Dits
Location
Characteristics
Bourgogne Blanc

Meursault
Citrus, mineral, acidity
Meursault

Slope south of valley
White fruit, citrus, floral, mineral, freshness

Tillets
Highest on the slope and facing south
Floral, focused, step up in quality

Vireuils
North of Tillets at slightly lower elevation; east-facing
White fruit, richness, crisp acidity, will age well

Luchets
Further north and lower
Sweet white fruits, floral, citrus, chalky minerality, richness

Narvaux
Adjacent to Tillets
Only 1 barrel made. Slight oakiness

Meix Chavaux
North of Premier Crus but at same elevation
Lemon, stone, denser than wines preceding, mineral, sea shell

Tessons
do.
First bottle deemed improper by Jean-Marc. Second bottle fresher fruit, minerality, crisp acidity. Balanced with a long finish
Premier Cru
Bouchères
Northernmost
White fruits, mineral, citrus

Porusot
South of Bouchères
Tight minerality, sea shell, citrus, crisp acidity

Charmes
On Puligny border; 70-year-old vines
4 barrels made. Big, rich fruit structure

Perrieres

Big structure. Grand Cru quality. Pear. Weighty, mineral. Long finish


Pre-2012 Vintages
The first wine tasted in this segment was the 2011 Bourgogne Blanc. Jean-Marc said that this vintage had experienced early flowering and harvesting and there had been no attacks of odium or mildew. This wine had great texture and balance. Ron voiced that it was the best Bourgogne on the planet. The next offering was the 2011 Tessons, a wine which revealed lemon, pear, and a distinct mineral note.

The next wine was offered blind. Tangerine, earthiness, and a chalky minerality. One of the things that we noted during this trip was that the winemakers all wanted to have Raj taste their wines blind. They constantly put him to the test and he consistently hit the mark or came pretty close. In this case he surmised 2010 Bouchères. It was 2009 Bouchères instead. Jean-Marc rapidly followed with another blind wine which Raj thought was a 2005 Tessons. It was. The third blind wine was ripe and open. 2003 Tillets said Raj. Right again. A tour de force of blind tasting in my opinion. The next wine offered had tangerine and honey on the nose and was very rich. I got lucky and tagged the vintage as 1989. It was a 1989 Bourgogne Blanc.


The final wine tasted was the 1992 Perrieres. Sweet tropical fruit to include pineapple. Ron described it as absolutely amazing. Jean-Marc called it "old Chardonnay." Raj said that this is one of his 10 best wines of all time.

La Paulée Lunch at Daniel
The main event of La Paulée's official Thursday afternoon schedule was a multi-course lunch, prepared by Daniel Boulud and his team, accompanied by selected wines from Domaines Guy Roulot and Georges Roumier, said wines to be presented by the respective vigneron. As the attendees streamed in, I was pleasantly surprised to see Aubert de Villaine enter and stride to a place at the Roulot-Roumier table which was centrally located within the room. Daniel Johnnes welcomed us all and then launched the event.

The first course was accompanied by 2010, 2009, and 2004 Roulot Les Luchets, the former two in magnum. The 2010 Les Luchets exhibited spice, orange-tangerine, power, minerality, orange rind, burnt orange and a slight pricking on the nose. On the palate, bright, powerful, intense. Long, intense finish. The 2009 Les Luchets had similar characteristics to the 2010 except it had a little more stemminess, was a little more aromatic, and showed riper fruit. It was also not as tightly wound as the 2004. The 2004 exhibited a lemon-lime aroma along with minerality, crushed stone, sea shells and a hint of sulfur. Slight salinity and great acidity. Balanced. Bright, long, coating finish.

The second course was accompanied by a Roulot Meursault Charmes 2004, Roulot Meursault Tessons Clos de Mon Plaisir 2000 (in Jeroboam) and Roulot Meursault Perrières 1999 (in magnum). The Meursault Charmes 2004 had tangerine and orange rind citrus characters accompanying notes of spice and herbs. Voluptuous, with bracing acidity and a long finish. The 2000 Meursault Tessons was elegant with apple-pear notes, spice, herbs, cardamom. The 1999 Meursault Perrières had citrus and citrus rind on the nose. Powereful, mineral, and coating on the palate.

de Villaine and Roulot 



Our Lunch Tastings
The 2012 Les Tillets showed lemon, lime, citrus with crushed rock and refreshing acidity. The 2007 was a beautiful wine. Reduction which blows off to reveal honeysuckle, white peach, apple, lemon, and a limestone minerality.  Fresh, mineral, textured with a lengthy finish. The 2006 showed Apple, pear, citrus, and mineral notes. Clean and precise flavors with perfect acidity (Ron's notes).


2012 Les Luchets -- white fruit, citrus, minerality follow an initial reductive aroma. Reserved on palate. Lengthy mineral finish. 


Domaine Roulot Meursault Les Narvaux 2012 -- Lemon, lime, and green apple on the nose. Slightly reserved. Mineral intensity with crisp acidity (Ron's note).


2011 Clos de Bouchères — match flint, citrus, apple, minerality on the nose. Lean but with good concentration and a long finish.


The Roulot Meursault 2010 was placed on the market as a negociant offering as the juice came along as part of the Bouchères purchase. Flint and minerality on the nose, lemon and crispness on the palate. Un-Roulotish. The 2011, exhibiting florality, minerality, and crispness, is a domaine offering with fruit sourced from Clos de La Baronne, Cotot, and Gruyaches. The 2013 showed matchflint, apple, citrus, stony minerality, and herbs on the nose. Vibrant, fresh, and complex on the palate. Crisp citrus finish. 2014 Roulot Meursault showed white peach on the nose. Very light of body and finish. Had a bottle of this wine earlier in the year and found it impressive. This one not so much. Almost an off bottle. 


The Roulot Meursault Porosut 2012 shows green herbs, green apples, baking spices, ripe lime-lemon. Lime, lime skin, bright, faded lime, and acidity rising to a crescendo and then mushrooming into an austere minerality. Lime, lime pith, minerality, and salinity with time.


2012 Les Meix Chavaux -- Matchflint plus citrus and minerality on the nose. Elegant. Citrus and stony minerality on the palate. Creamy with a balanced finish. The 2004 is an elegant wine. Ripe apple, citrus, and minerality. Rich, lemon, almonds and a crisp, clean finish. The  2002 is rich, with ripe candied fruit, creme brulee, lemon and mineral notes. Concentrated with brulée flavors and minerality coming through. Clean finish.


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Roulot was the first Meursault that led me away from thinking of Meursault's as rich, lovely wines and more as chiseled, Puligny-Miontrachet-like fare. Its characteristics to me are matchflint, and a citrus-and-minerality-driven precision which translates to the palate along with a bright acidity and a mineral-driven finish. I love this estate, this producer, and the wines. And I know that Ron feels that way cos he has a ton of this wine in his cellar.


©Wine -- Mise en abyme