Wednesday, March 18, 2015

Acidity vs sourness, bitterness vs astringency, and the tongue taste map: Some sensory misapprehensions

The overall taste of a wine is a combination of its odor, taste, and tactile perceptions as generated by specialized nerve cells resident in the nasal and oral cavities. Understanding the stimuli to which each of these specialized cells react is important to effective wine tasting and description. This brief post attempts to shed some light on a few oral sensory misapprehensions

Acidity versus Sourness
Acids play an important role in the cellular and metabolic functions of the grape berry and in the color and texture of the fermented wine. The primary acids found in grapes and fermented wine are tartaric, malic, and citric acids, as well as the tartaric and malic derivatives potassium hydrogen tartrate (cream of tartar) and potassium hydrogen malate. Acidity (as it relates to wine) is the measure of its acid content.

Total acidity is the sum of the hydrogen ions of both fixed and volatile acids that are present in the wine and, as such, is the most accurate representation of acid concentration.  Total acidity is difficult to measure accurately, however, and so the more easily measurable titratable acidity (TA) is used as its proxy. Red table wines generally range between 0.6% and 0.8% TA as levels below 0.4% render the wine susceptible to infection and spoilage.

A second method for measuring the acidity of a wine is through observation of its pH (potential of hydrogen) level.  The higher the number of hydrogen ions (H+) in a liquid, the more acidic it is while the higher the number of hydroxide ions (formed when an oxygen ion bonds to a hydrogen ion and represented as OH-) in the liquid, the higher its alkalinity. The pH scale runs from 0-14 with acidic solutions falling below 7.

Sour is one of the five recognized taste sensations (the others being sweet, bitter, salt, and umami) and is the human mechanism for recognizing the presence of acidity. According to Jackson (Wine Tasting, p.204), “sourness is a complex function of the acid, its dissociation constant and wine pH.” 

To summarize then, acidity (as it relates to wine) is a measure of acid concentration in the wine while sourness is the way that that acidity manifests itself as a human taste sensation. 


Bitterness versus astringency
As indicated above, bitter is one of the five taste sensations. Sources of the bitter sensations in wine are flavonoid phenolics (primary), with several glycosoids, terpenes, and alkaloids contributing from time to time (Jackson, Wine Tasting). Bitterness and astringency are sometimes confused with each other because (i) they are both induced by the same compound; (ii) they are late-arriving (sweet and sour are the first taste sensations to make their presence felt); and (iii) they are slow to depart. The perception of bitterness is reduced by sugar, enhanced by alcohol, and hidden by astringency.

According to sensorysociety.org (and Richard Gawel, Secret of the Spit Bucket Revealed, aromadictionary.com), astringency is a tactile sensation, rather than a taste, and is primarily caused by polyphenolic compounds contained in certain foods (including wine) but can also be caused by acids, metal salts (such as alum), and alcohols. A key characteristic of astringency is the fact that it is difficult to clear from the mouth and, as such, builds in intensity on repeated exposure to the source. The source of astringency in wines is tannins, "a heterogeneous group of phenolic compounds" with properties to include: astringency (caused when the tannin binds with protein in saliva; evidenced by mouth pucker and a bitter aftertaste); bitterness; the ability to react with ferric chloride; and the ability to bind with proteins (Dr. Bruce Zoecklin, Enology Note #16). 

There are two theories as to how astringency presents in the mouth (sensorysociety.org): (i) Polyphenols bind with the proteins in saliva and the resultant proline-rich proteins precipitate out (Gawel sees these precipitates as being reflected in the "stringy" salivary material that we spit into the buckets at wine tastings), thus reducing the ability of saliva to lubricate the mouth (this loss of "lubricity" is perceived as an increase in oral friction). (ii) The astringents directly effect the oral epithelium with a sensation of harshness presenting when the gums brush against the insides of the mouth. 

According to both Gawel and sensorysociety.org, individuals with high saliva secretion rates will experience lower levels of astringency. Gawel alludes to three types of astringency:
  1. The feeling of having fine particles on the surface of the mouth; referred to by terms such as Powdery, Chalky, and Grainy
  2. Roughness of feeling inside the mouth; referred to by words such as Silky, Emery, Velvety, and Furry
  3. Causing the mouth to move; referred to by words such as Pucker, Chewy, Grippy, and Adhesive.
In summary, then, while sharing a few characteristics, bitterness and astringency differ in that the former is a taste sensation while the latter is a tactile sensation.

The Tongue Taste Map
The tongue taste map is truly a myth. A turn-of-the-century research paper indicated that certain areas of the tongue had been shown to be sensitive to specific tastes. Subsequent research had found these findings to be inaccurate because, in fact, most taste buds have receptors that can sense and report on all of the taste sensations. And though two-thirds of the taste buds are located on the tongue, they are also present in the soft palate and epiglottis and a few may even be located on the pharynx, larynx, and upper portion of the esophagus (Ronald S. Jackson, Wine Tasting: A Professional Handbook, Elsevier, 2002). Thenibble.com identified that early researcher as D.P Hanig, a German scientist, and also revealed that the findings were based on “subjective responses of volunteers.” This initial qualitative research was “coated” with numbers in 1942 by Edwards Boring of Harvard University (thenibble.com). Work in 1974 by Dr. Virginia Collins, and additional subsequent research, has shown that all tastes can be detected wherever there are taste buds yet the tongue taste map retains its Dracula persona.

©Wine -- Mise en abyme

Monday, March 16, 2015

American Gymkhana: Modern Indian cuisine wends its way to Orlando

Raj Parr recently visited Orlando for a tasting of his domestic and Burgundy wines. At the completion of the tasting, he tarried a bit to taste some of the wines that Ron and I had brought to the event. In discussing his schedule for the remainder of the day, he mentioned that he was having dinner at American Gymkhana. I knew that it was a new restaurant on the Orlando scene and that the cuisine was Indian but we had not eaten there (and not because of lack of effort on my wife's part). When I ran into Raj at La Paulée I asked him about his experience at American Gymkhana and he said the food had been surprisingly good.  In the intervening period, my wife had gotten excellent reviews from friends who had visited. With this growing mountain of evidence that this restaurant was cooking good food, my wife would be restrained no longer. We were going to American Gymkhana. And so we did. Last Thursday.


American Gymkhana is owned by Restaurateur Rajesh Bhardwaj, the Founder and CEO of Junoon New York (the only Michelin-starred Indian-cuisine restaurant in NYC) and Junoon Dubai. I struggled a bit with the choice of the name, both before and after its meaning was explained. Gymkhana's were the meeting places of the elite during the period of the British Raj in India. Go figure.

The restaurant is located on the top floor of the westernmost building in the "Vines Plaza" in the heart of Sand Lake Road's Restaurant Row. You climb two sets of stairs to get to the reception area and arrive there winded. Our guests had not yet arrived so we repaired to the bar. The bar, and associated lounge, were both pleasing to the eye; places where you would want to sit and have a drink or two. My wife is currently into a Jalapeno Grey Goose cocktail that the mixologist was unfamiliar with but which he constructed magnificently once told the components.




Once our guests arrived, we were shown to our seats. The restaurant is spacious; and the distribution of the seating adds to the sense of expansiveness. A large, clean-looking, open kitchen is sited at the eastern end of the restaurant. The barrel ceilings provide a sense of coziness and are accented by purple-hued lighting.




The menu was clean and simple with between six and eight items in each category and each dish having a subtext describing its components.

The first item brought to our table was a basket of Naan Bread. This leavened, oven-baked flatbread was the canary; except that there was no coalmine. It was heralding the gustatory pleasures to come. It was freshly made and accompanied by a mint dipping sauce. It had great flavor and texture and really did not need any hand-holding.

The Amouse Bouche was a Pineapple Salsa on a Masala Cracker. Cilantro, spiciness, and light tanginess. The mix of textures was intriguing with the crackling crunch of the cracker contrasting with the give of the pineapple chunks.


We had each ordered a dish from the starters and they began to arrive. The Gymkhana Chicken looked  a little much but was a treat on the palate. A dash of Yogurt Sauce and a portion of seasonal Lettuce were in attendance in the event that cooling influences were necessary but the intense flavors, the spiciness, and the temperature were right up my alley.


I also ordered a dish called Adraki Gobhi which was a cauliflower fritter made with ginger and galangal (also a part of the ginger family). At first glance it looked like a meatball but tasted anything but. The spicy red sauce was the cocoon for cauliflowers that had been firmed-up by slight roasting.


The Aloo Chaat was a "potato slider" with Yukon Potatos on the top, Purple Potatos on the bottom (in the styling of a potato chip), and Fingerlings in the middle. These were accompanied by a seasonal Fruit Chutney.


We accompanied the starters with a bottle of Paul Déthune Champagne.

My wife ordered a Lobster dish for her main course while I ordered Lamb Chops. Our table companions ordered Lamb Curry, Goat Curry, and Fish so that we could sample a broad array of the fare on offer. The Lobster dish was comprised of two whole Maine lobsters that were Saffron-Marinated and accompanied by a spiced lobster butter. The Nahile Lamb Chops were cooked with whiskey, ginger, black cardamom, and a garlic-whipped yogurt. The lobster was excellent but I could not wrap my head (or palate) around the Lamb. It had a cloying texture and the meat was not firm enough for my liking. I had gone from some very spicy foods to a milky, taste-free dish. I did not like it (In conversations the following day, the Chef told my wife that this meal was designed for people who did not like spicy meals. I wish the waiter had told me that.).



One of my tablemates had gotten the Goat Roganjosh, which is goat on the bone braised in Kashmiri chili and clarified butter, while the other had gotten the Lamb Vindaloo which was constructed with apple cider vinegar, Goan chilies, black pepper, and twice-fried potatos. Both of these were outstanding dishes, especially when some Roti was added to the mix. I lived in my neighbors plates.

At the conclusion of the dinner my wife asked the waiter about the owner and the waiter said that he happened to be in the building that evening. We asked to speak to him and once he had concluded the meeting with which he was engaged, he came over. Nice conversation. We thanked him for bringing this venture to Orlando. He talked a bit about the concept and about the fact that he was flying out from Orlando to Dubai to visit the Junoon there. We also met the Chef (Aarthi Sampath), and congratulated her on the food, and the Wine Director (David Pennisi) with whom we tasted a few wines.

Aarthi Sampath, Chef de Cuisine

David Pennisi, Wine Director

What we drank

All in all a wonderful evening. This modern twist on Indian cooking is pleasing on the palate and wallet.


©Wine -- Mise en abyme

Friday, March 13, 2015

Iconic Swiss Varietal Tasting with Paolo Basso: Clos de Tsampéhro Tsampéhro Rouge 2011

This is another in a series of posts recounting a Tasting of Iconic Swiss Wines at DWCC2014 with Paolo Basso, the World's Best Sommelier. The wines that have been treated previously are listed at the bottom of this post. This missive covers the tasting of the Clos de Tsampéhro Tsampéhro Rouge Edition I 2011 AOC Valais. But first, a little background.

Clos de Tsampéhro is a newly reconstituted estate located in the town of Lens in the district of Sierre and the wine region of Valais. The 2013 vintage was the first under the new ownership, hence the designation Edition I. The maps below show the AOC Valais and the location of Lens and Flanthey (the name on the label) in what is colloquially referred to as the Middle Valais.


Lens and Flanthey shown in solid ovals
The climate in the Middle Valais is Mediterranean-like with 2500 hours per year of sunshine. The towering mountain slopes to the north of the region provide a rain-shadow effect for the Rhone Valley at this spot, with most of the rain deposited on the slopes on the northern side of the mountain. This keeps the valley rainfall levels to approximately 500 mm/year. Only the dry, hot wind called the Foehn can scale these mountain barriers. Temperatures range between a low of 0.2 degreesC in January and 20 degreesC in July. A significant diurnal temperature variation promotes slow and balanced grape ripening.

A soil survey and analysis was conducted in 2009 and characterized the soil as a limestone scree composed of shales, acidic, and of a sandy-loam texture.

The vineyard extends over three contiguous hectares at 600 m elevation with a length of 320 m amd a width of 115m. Slopes in the middle of the vineyard can range between 35% and 55%. Aspect is primarily south and southwest, providing excellent sun exposure for the fruit. The vines are sited on small terraces to reduce the shade from one line to the next.

Source: tsampéhro.com

Source: tsampéhro.com
The vineyard is farmed organically and biodynamically but the estate is certified in neither. The existing soil is bolstered with micro-doses of manure, as needed, and organic material from ground pruning material. The dry climate and rapidly draining soils do, on occasion, dictate irrigation which is satisfied by meltwater from surrounding alpine glaciers routed through ancient water channels.

The varieties planted on the estate are as follows:
Whites:
  • Savagnin Blanc -- 1,250 square meters
  • Chardonnay -- 1000 sq. meters
  • Reza -- 1,250 sq meters
  • The Completer -- 750 sq meters
Reds:
  • Pinot Black -- 2,500 sq meters
  • Cornalin -- 3,000 sq meters
  • Merlot -- 4,500 sq Meters
  • Cabernet Sauvignon -- 1,600 sq meters
  • Cabernet Franc -- 1,400 sq meters
These vines are planted at a density of 10,000 vines/ha and are green-harvested in July and August to get to 3 to 4 bunches/vine.

The vegetative period of the 2011 vintage in Lens had well-above-normal temperatures (> 4.8 degreesC) which gave way to a long summer with dry conditions which allowed optimal flowering and berry development. It was cooler and wetter after July and a Foehn (strong, hot, dry wind) episode was recorded in late August. Weather conditions were favorable during harvest.

The Tsampéhro Rouge is a blend of Cornalin (40%), Merlot (35%), and Cabernet Sauvignon and Cabernet Franc (25%). The grapes were hand-harvested and then cold-macerated. The must was inoculated with selected yeasts and fermented for 20 - 28 days in solid oak tapered bowls. The wine was then transferred to 10 hl conical oak vats for four months for MLF and development. They were racked to oak barrels for a further 24 months of aging.

Source: thomasvino.ch

A total of 6000 bottles of 750s and 150 magnums of this wine was produced.


Tasting Note -- On the nose, overripe cherries, currants, fresh strawberries, and blackpepper. On the palate a sweet character, pointing to overripeness. Extracted wine with intensity and character. Ripe, extracted tannins. Long, intense aftertaste of spice and licorice.

**********************************************************************************************************

Previous Iconic Swiss Varietals Tasting posts:

Leyvraz St-Saphorin Grand Cru Les Blassinges 2012
St-Jodern Kellerei Visperterminen Veritas Heida 2012 AOC Valais
Jean-René Germanier Vétroz Cayas Syrah du Valais Réserve 2009





©Wine -- Mise en abyme

Tuesday, March 10, 2015

La Paulée Collectors Dinner and the wines of Domaine Méo-Camuzet

The reputation of La Paulée precedes it. A decadent, boisterous celebration of Burgundy rotating annually between San Francisco and New York, it was the brainchild of Sommelier Extraordinaire Daniel Johnnes but is now, to all intents and purposes, owned by New York Chefs, New York Sommeliers, Burgundian vignerons, and Burgundy lovers from all over the US. It was held in NY this year and we were there. It was all that was promised; and more.

La Paulée initially extended over a few days but it has now grown to the point where official events stretch out over an entire week and local wine retailers milk it for almost a month. The first event that we attended was the Collectors Dinner held at ElevenMadisonPark and featuring the wines of Domaine Méo-Camuzet. Dinner would be served in the private dining room above and to the left of the main dining room (as you enter the restaurant) so, after we were relieved of our coats, we were ushered up the stairs to the check-in area.


Ron and Bev were already there and were positioned strategically at the entrance to the cocktail/dining area. After stopping at the check-in station, we joined them and were quickly accosted by a waiter offering glasses of Champagne Delamotte Blanc de Blancs Grand Cru 2007. We were informed that this was the first place in the world that this vintage of this Champagne was being poured.


A variety of Canapés were served during the cocktail hour and were consumed with delight by the arriving attendees. After much socializing and imbibing, we were invited to take our seats. Daniell Johnnes, in the introduction, mentioned that this particular dinner used to be held on the weekend (and used to be the highlight of the weekend). Given the growth of La Paulée, it had now been pushed back to Wednesday night.

The first course served was a Cyclopean (my word) Oyster Vichyssoise with Caviar which was accompanied by additional copious amounts of Delamotte.


The second course was Lobster Poached with Daikon Radish and Citrus accompanied by a Champagne Salon 1983 en magnum. We were informed that the Champagne House only had 24 of these mags in its cellar and five had been sent to this event. The wine had been disgorged in June 2012. The 1983 vintage had experienced bad spring and winter weather but had been very good for Champagne, with high acidity and excellent sugar levels in the fruit being the order of the day.

The lobster was exceptional and bolstered by the Salon with its notes of orange rind, citrus, distant bread, tropical fruit, and green apple. Excellent acidity and mousse.



At the conclusion of the second course, Jean-Nicolas Méo, the winemaker at Domaine Méo-Camuzet, was introduced to talk about his estate and the wines on offer for the dinner. He began by noting that his domaine is both recent and old. Old in that the vineyard has been in the family since its founding by Etienne Camuzet in the early 1900s but recent in that producing its own wines is a relatively recent endeavor. His father, Jean Méo, inherited the estate upon the death of his aunt in 1959. Jean-Nicolas came to Burgundy in 1989 to run the estate and encountered Henri Jayer, one of the sharecroppers working on the estate -- and a brilliant winemaker in his own right -- and learned at his feet.

In Jean-Nicolas' view, Burgundy has changed dramatically over the past 25 years: Vintages seem to have been more difficult in the last few years and have been cooler. He sees 2006 as the end of an era. It was a ripe vintage which was harvested at the end of September. It was high in alcohol but balanced and not as lush as the 2005. It is a vintage which has evolved slowly. He wished us an enjoyable dinner.


The third course was a Foie Gras marinated with Black Truffle and Purple Potato accompanied by a quartet of 2006 Méo-Camuzet wines:

  • Vosne-Romanée Premier Cru Les Chaumes
  • Nuits-Saint-Georges Premier Cru Aux Murgers
  • Clos Vougeot Grand Cru
  • Corton Grand Cru Clos Rognet
The wines yielded a spectrum of different aromas and flavors. The Vosne-Romanée showed coconut and spice, strawberries, savoriness and a slight phenolic note. It had strawberry cherry on the palate, excellent weight, and was balanced with a nice, round mouthfeel. The Nuits-St.-George was unyielding on the nose with spice and a slight creaminess on the palate. This wine was non-complex. The Clos Vougeot yielded strawberry, with a lemon tinge, tobacco, leather, spice, dill, and tree bark. Length and intensity wanting. The Corton showed pinot fruit, coffee, and mocha on the nose and power and weight on the palate. Great length and intensity. Still young.


The next course was Celery Root Braised with Black Truffle. The wines were from the Vosne-Romanée Premier Cru Les Brûlées climat and were produced in the years 2002, 1999, and 1990. The wines were served youngest to oldest in this flight, an approach that differs from my preference. The dish was excellent. The 2002 Les Brûlées showed strawberry, spice, dried herbs, and rosemary. Vibrant. Jumped off the palate. Chewy. Long, herby, savory finish. This turned out to be the wine of the flight. The 1999 Les Brûlées exhibited strawberries, spice, walnut, coffee, and mocha. Savoriness on palate. Finish could have been longer. Strawberry, vanilla, and elegance were the hallmarks of the 1990 Les Brûlées along with a marked color differential. Blackpepper on palate. Evolved. Slight bitterness. Finish interruptus.


The meat course was Venison Roasted with Parsnip and Mushrooms braced by Vosne-Romanée Premier Cru Cros Parantoux (1999 and 1988) and Richebourg Grand Cru (1999 and 1988) wines. Prior to the start of the course, Jean-Nicolas rose once again to describe the wines. He sees these two wines as being flagships of the domaine. He thinks that the 1999 shows "tight" at this time but is the greatest vintage that he has ever made. Nineteen eighty-eight was Henri Jayer's last year and so this vintage is made unfiltered. His (Jean-Nicolas) style is a little more "hands on."

The 1988 Richebourg exhibited deep red fruit, rhubarb, créme brulée, spice, earth, and vanilla. Weight and intensity on the palate. Long, savory finish. This is still a young wine. The 1988 Parantoux was corked. The 1999 Richebourg had a nose of classic Pinot fruit and spice. A little shoe polish. Delivers on the palate. Great intensity and life. Long, spicy finish. A young wine. The 1999 Parantoux was open and less finely honed than the other wines in this flight. Still young though. Overall the Richebourgs were better wines than the Cros Parantouxs in this flight. Slightly disappointing for me as I have a romantic attachment (Jayer-inspired) to the Parantoux.


Sorbet with Crème Fraîche and Maldon Salt
Shortbread
This was an excellent event. Fifty-three Burgundy devotees, excellent food, great wines, and one of the leading winemakers in the world explaining his wines to us. Daniel Johnnes invited the Chef, Daniel Humm, to take a bow for the excellent fare that he had placed before us. We showed our appreciation for his great work. What a start to our La Paulée.


©Wine -- Mise en abyme

Monday, March 2, 2015

Domaine de La Romanée-Conti 2012 Vintage Preview: A La Paulée tasting with Aubert de Villaine

One of the most highly anticipated events of the 2015 edition of La Paulée de New York was the Domaine de La Romanée-Conti (DRC) 2012 Vintage Preview which was to be held at Daniel and led by the Domaine's co-Director Aubert de Villaine. This event was the first sold out because: (i) of the high esteem in which the Domaine and its wines are held; (ii) it was going to be the first public tasting of this vintage since its bottling; and (iii) given the size of the vintage, there were probably not going to many tasting opportunities of this type in the future. Four of the Domaine's labels were scheduled to be included in the tasting.

Daniel Johnnes (La Paulée founder and Sommelier extraordinaire) introduced the event and then turned the floor over to Jack Daniels, principal of Wilson Daniels, DRCs US importer. Jack added his words of welcome -- to include that the wines had been opened 40 minutes prior and apologizing beforehand for the fact that allocations for this vintage were going to be exceedingly low. He then yielded to Aubert who began with an extensive discusssion of the vintage conditions.

According to Aubert, 2012 had been a vintage of constant change. It was warm in March but then became cold and rainy in April, making it very difficult to work in the vineyards. The vines flowered in the cold weather leading to millerandage. The weather became warm again in June but a heat wave therein caused the loss of some berries. The weather became better in July but then August brought storms. The berries experienced rapid sugar gains in the August- September period. There was no sign of botrytis so they waited to harvest and eventually began on September 21st. It rained for two days during harvest and remained cold. The berry skins were thick, however, and, in addition, the soil did not transfer water to the berries. The final 2012 crop was one-half to one-third the size of a healthy crop.

The wines tasted at the event were as follows:
  • DRC Échézeaux Grand Cru 2012
  • DRC Romanée-Saint-Vivant Grand Cru 2012
  • DRC La Tâche Grand Cru Monople 2012
  • DRC Romanée-Conti Grand Cru Monople 2012
The Échézeaux exhibited pale strawberry, creaminess, and leather on the nose. On the palate ripe Pinot fruit, attractive levels of acidity, spice, balance, and great length. Slight astringency and long, drying finish.

The RSV was less structured than the Échézeaux. On the nose a floral rose aroma along with ripe Pinot fruit, vanilla, and a hint of reduction. On the palate ripe fruit, complexity, and a long, sweet finish. Somewhat reserved and mysterious. A sense of something hidden.

The La Tâche exhibited layered Pinot fruit, richness, wax, and earth. On the palate strawberry, hot spices, baking spice and a long finish.

The Romanée-Conti had cherry, tree bark, and baking spice on the nose to go along with hot spice and savoriness on the palate. Complexity and power. Long, balanced finish.


In his summarization of the tasting Aubert indicated that the 2012 DRCs had a tendency towards reduction. They had persistence and depth on the palate and are all approachable at this time. They were recently bottled and he was surprised at how well they have taken to the bottle. They are still young but, even at this early stage, are already displaying their individual characteristics:
  • Échézeaux: character
  • RSV: an elegant nose yet austere and hard in the mouth
  • La Tâche: layering
  • La Romanée-Conti: reserved complexity.
He saw the wines of the vintage as being somewhat akin to those of 1991 and 1992 but cautions that we should take them as they are.

Aubert then turned the proceedings back over to Daniel Johnnes for the closing and he reminded us that these wines were th epitome of terroir wines in that they are farmed and vinified similarly yet exhibit such different characteristics.
These wines were all of exceptional quality and will bring years of pleasure to those "fortunate" enough to acquire (now) and drink (later) from the miniscule stock.

©Wine -- Mise en abyme

Tuesday, February 24, 2015

Iconic Swiss Varietals Tasting with Paolo Basso: Jean-René Germanier Vétroz Cayas Syrah du Valais Réserve 2009

In this post I continue the tale of the DWCC14 Iconic Swiss Varietals tasting led by Paolo Basso, the World's Best Sommelier. The wines reported on previously are listed at the bottom of the post. The wine treated herein is the 2009 Jean-René Germanier Vétroz Cayas Syrah du Valais Réserve AOC Valais. This was not the third wine tasted at the event. I have diverged from the tasting order so that the AOC Valais wines can be presented sequentially. As I have done in the previous posts, I will provide background on the region, winery, and wine prior to providing the tasting notes.

The Valois AOC has been described previously. Vétroz is a commune within Valais with vineyards on the lower hillside, below the commune of Conthey, and on the alluvial cone of the Lizeme in Balavaud. The south-facing hillside vineyard covers an area of 144 ha and is sited on black shale (formed from marine sediments deposited between 160 and 170 million years ago) and glacial moraines. The Balavaud portion is 67 ha in size and its soil is comprised primarily of large pebbles.

The primary varieties grown in the commune are:
  • Reds
    • Gamay (21%)
    • Pinot Noir (18%)
    • Syrah
    • Gamaret
  • Whites
    • Fendant (Local name for Chasselas -- 23%)
    • Amigne (16%)
    • Petite Arvine
    • Johanisberg
    • Muscat
    • Malvoisie
Wines with the following characteristics are allowed to refer to themselves on the label as Grand Cru de Vétroz:
  • White varieties: Chasselas or Amigne grown in the 1st zone
  • Red varieties: Pinot Noir or Gamay grown in the 1st or 2nd zones
  • Vine age: > 7 years
  • Vine density: 7000 vines/ha.
Location of Vétroz wineries (Source:www.grands-crus.ch)
Jean-René Germanier was founded in 1896 by Urban Germanier and until the 1940s, wine was the hallmark of the enterprise. The establishment switched its focus to liqueurs in the 1940s but re-oriented to the grape beginning in the 1980s. It is currently helmed by third-generation enologist Jean-René Germanier and his nephew Gilles Besse. The average age of the vines is 35 years and the estate is working towards organic certification. The winery produces a number of classic AOC Valais wines as well as a number of blends and Reserve wines.

The Cayas Syrah du Valais is 100% Syrah made from grapes grown on shale soil in Balavaud, Vétroz, and Chamoson et Fully. The grapes are macerated for 10 days prior to a 20-day alcoholic fermentation. Malolactic fermentation and aging occur in 50% new oak barrels.


Tasting Notes -- On the nose balsamic, vanilla, blackpepper, meat, gaminess. On the palate, round, dusky, sweet sensation. Ripe fruit. Savory mid-palate. Rich, young tannins. Great acidity. Long, intense finish with vanilla and balsamic aftertaste.


Previous Iconic Swiss Varietals Tasting posts
Leyvraz St-Saphorin Grand Cru Les Blassinges 2012
St-Jodern Kellerei Visperterminen Veritas Heida 2012 AOC Valais


©Wine -- Mise en abyme

Monday, February 23, 2015

El Carajo International Tapas and Wine (Miami, FL): Excellent food where you buy gas

What do you get when you divert a 1,925-mile-long raging torrent into a narrow, bounded canal which has its own tributaries and whose own flow is regulated by locks which open and close on a regular basis? You get the point in Miami where I-95, the longest North-South highway in the union (passing through 15 states between its origin point in Maine and its terminus in Florida), ends ignominuously at Route 1 in the vicinty of SW 32nd Road, dumping its contents unceremoniously on the already frustrated and harried travelers plying that route. But you also get, just a block or so further west (at 2465 SW 17th Avenue), El Carajo International Tapas and Wine, a standout in the burgeoning foodie industry segment designated as Gas Station Restaurants.

Both CNN.com and The Washington Post have published articles within the past year describing the Gas Station Restaurant trend and profiling some of the practitioners. Filling stations are viewed as attractive restaurant sites because their locations on street corners provide good visibility and great access. In many cases ownership of the two enterprises are divergent and co-location can provide benefits to both parties:
  • The gas station owner gets help with overhead costs
  • The restaurant gets a relatively inexpensive space with guaranteed foot traffic
  • Customers get to eat great food in a "surprisingly" pleasant environment.
I heard about El Carajo from Andres Montoya, the owner of The Wine Barn, who visited the establishment when he was in Miami recently for that city's installment of the Bordeaux UGC 2015 Tasting Tour. He spoke glowingly of the food and wines and expressed amazement at the location of the venue. Words like "non-descript" and "gas station" peppered his discourse. It sounded like an adventure so I made a mental note to visit the next time I was in town. That opportunity presented itself last weekend when I travelled south for the South Beach Food and Wine Festival.

So there I was on Friday afternoon. Dumped unceremoniously from I-95 into the unmoving traffic on Route 1. I was familiar with this road. I had had many a traffic-laden trip on it on my way to Coconut Grove. The traffic here is relentless. Suddenly my GPS announced "You have reached your destination." I had been busily chatting away but paused to look for the establishment. I saw no sign of food or a food establishment. There was a gas station over to my right but it did not look promising. But, again, it was the only gas station around so I made a right turn into the cross street and pulled warily into the entrance. There were quite a few cars parked at the site. More than one would expect at a "normal" gas station. I wedged my car into the only available "parking space" and headed for the building entrance.


According to NPR, El Carajo is a bakery, wine store, and restaurant that was founded by Richard Fonseca and which he currently operates along with his wife and three sons.The Chef is one Luis Barbosa whose tapas, paellas, grilled meats, cakes, and large portions are legendary.

The first impression that you get stepping through the entrance is that you have entered the ultimate retail wine warehouse. Bottles of wine are everywhere. The convenience store/gas pump checkout is to the left as you enter with the deli/bakery off to the far right.



A passageway leads from the forward commercial areas to a more dimly lit section of the establishment. A bar consisting of high-top tables and seating on both sides is at the far end of this hallway while the restaurant seating areas are positioned to its right and left.




At the table, the menus were rolled up into tightly wound cylinders the shapes of which were maintained by a thin rope tied around the circumference. It was cute but reading it was a constant battle as it struggled valiantly to return to its accustomed position (rather than yield up the secrets of its offerings). When I was finally able to view the menu in its totality, the contents were truly impressive, both in terms of the number of items on offer and the reasonableness in terms of cost. You need time to fully digest its contents.

I started out with a Galician Soup whose components included Smoked Pork, Sausage, Bacon, Bok Choy, Serrano Ham, and White Beans. It was heavenly. It was almost a meal by itself. By the way, the corkage fee was very reasonable so I accompanied the soup with a bottle of Maison L'Orée Meursault Premier Cru Charmes that I just happened to have in my wine bag. I followed the soup up briskly with a hot Tapas called Fufú de Cangrejo (Savory Mashed Plantains Topped with Fresh Crab prepared in a Spicy Enchilada).


Platinos
I rounded out my meal with an order of Costillas Canarias -- six succulent and perfectly seasoned Grilled Ribs accompanied by an authentic spicy Canarias sauce. This was a huge portion. I could not handle it in total. I meekly ate what I could and nudged the remainder gently to the edge of the table.

There is a lot of energy at this establishment. The food is good. The staff is friendly and helpful. You can bring your own wine if you desire but do not fear if you forget the bag at home. They have more than enough to fulfill your needs.The timeliness of the service is not 5-star but, what the heck, you are in a gas station. This is a do-over.

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